Australian Stage Comedians 1915-1930: Configuring a Comic National Identity. This project aims to make a major contribution to Australian cultural history by examining the origins of what has often been described as the distinctive Australian sense of humour.
While elements of this national characteristic emerged in colonial times, including an emphasis on stoicism, self-deprecation and the contradictions of existence (e.g. in Steele Rudd's and Henry Lawson's stories), this project will incre ....Australian Stage Comedians 1915-1930: Configuring a Comic National Identity. This project aims to make a major contribution to Australian cultural history by examining the origins of what has often been described as the distinctive Australian sense of humour.
While elements of this national characteristic emerged in colonial times, including an emphasis on stoicism, self-deprecation and the contradictions of existence (e.g. in Steele Rudd's and Henry Lawson's stories), this project will increase community awareness of how stage comedians during and after the First World War focused these tendencies into a distinctive emphasis on the comedy of everyday experience, and on maintaining a tough-minded optimism in adversity. Read moreRead less
The Two Frank Thrings. A study of two lives in the context of the performing arts in twentieth-century Australia. This dual biography of F.W.Thring (1882-1936), stage and cinema entrepreneur, and his actor son Frank (1926-94), will explore two remarkable lives in relation to their performance culture and society. It will provide the first scholarly biography of both men, and through them will illuminate the history of Australian cinema and musical theatre, investigate issues of distinctively n ....The Two Frank Thrings. A study of two lives in the context of the performing arts in twentieth-century Australia. This dual biography of F.W.Thring (1882-1936), stage and cinema entrepreneur, and his actor son Frank (1926-94), will explore two remarkable lives in relation to their performance culture and society. It will provide the first scholarly biography of both men, and through them will illuminate the history of Australian cinema and musical theatre, investigate issues of distinctively national iconography and voice, and examine the complex interactions between industrial/economic forces and artistic vision. Its principal outcome will be a book that should add significantly to our knowledge of the performing arts in twentieth-century Australia, and to continuing debates in the arts.Read moreRead less