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Research Topic : DNA Repository
Scheme : Discovery Projects
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  • Active Funded Activity

    Discovery Projects - Grant ID: DP220100211

    Funder
    Australian Research Council
    Funding Amount
    $553,734.00
    Summary
    Suharto's enablers? Social complicity in the Indonesian killings of 1965-66. This projects aims to revolutionise understandings of civilian involvement in the most critical and bloody turning point in modern Indonesian history, the 1965-66 killings, and to transform the evidence base for Indonesian history-writing. By accessing critically endangered and never before used survivor community archives, the project will examine the complicity of civilians in the killings and how the violence shaped .... Suharto's enablers? Social complicity in the Indonesian killings of 1965-66. This projects aims to revolutionise understandings of civilian involvement in the most critical and bloody turning point in modern Indonesian history, the 1965-66 killings, and to transform the evidence base for Indonesian history-writing. By accessing critically endangered and never before used survivor community archives, the project will examine the complicity of civilians in the killings and how the violence shaped modern Indonesian national identity and moral consciousness. It will further generate a new, centralised archive of these preserved materials and compile new oral history interviews with the remaining witnesses to these pivotal events.
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    Active Funded Activity

    Discovery Projects - Grant ID: DP190100240

    Funder
    Australian Research Council
    Funding Amount
    $286,000.00
    Summary
    Ancient Egyptian papyri: unlocking secrets to the history of writing. This project aims to investigate the chemical composition of papyri from ancient Egypt and their inks to identify scribes, date texts, detect forgeries, match fragmentary texts, and illuminate environmental and technological change. Papyrus and carbon-based ink were the primary writing materials in the ancient Mediterranean world from 2600 BCE to 1000 CE, but the uncertain provenance and date caused by clandestine excavation a .... Ancient Egyptian papyri: unlocking secrets to the history of writing. This project aims to investigate the chemical composition of papyri from ancient Egypt and their inks to identify scribes, date texts, detect forgeries, match fragmentary texts, and illuminate environmental and technological change. Papyrus and carbon-based ink were the primary writing materials in the ancient Mediterranean world from 2600 BCE to 1000 CE, but the uncertain provenance and date caused by clandestine excavation and the antiquities trade limits our understanding of them. The non-destructive and inexpensive analysis will provide new understanding of environmental, technological, and socio-cultural change in ancient cultures from Egypt to Rome by providing new insights into writing technology, scribal identity, dating, and authenticity.
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    Funded Activity

    Discovery Projects - Grant ID: DP150104389

    Funder
    Australian Research Council
    Funding Amount
    $481,766.00
    Summary
    Engaging the global legacy and impact of the Aboriginal Artists Agency. The Aboriginal Artists Agency (AAA) was a driving force for change in the Australian arts industry. Founded in 1976, it was the first national body to administer copyrights for indigenous artists, create international demand for Australian culture and pioneer ways for Indigenous artists to reach audiences and markets worldwide. This project aims to investigate the seminal work of the AAA, secure and analyse its exclusive pri .... Engaging the global legacy and impact of the Aboriginal Artists Agency. The Aboriginal Artists Agency (AAA) was a driving force for change in the Australian arts industry. Founded in 1976, it was the first national body to administer copyrights for indigenous artists, create international demand for Australian culture and pioneer ways for Indigenous artists to reach audiences and markets worldwide. This project aims to investigate the seminal work of the AAA, secure and analyse its exclusive primary collection and assess the vast corporate knowledge of its personnel through new interviews. New frameworks for assessing Indigenous arts initiatives, it is hoped, will be generated through this unprecedented analysis of the AAA's role in reshaping attitudes towards Australian identities.
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