Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg ....Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg c.1500 and to provide a new scholarly path for exploring the relationship between prints and material culture. Expected outcomes include major collaborative articles, an agenda-setting book, exhibitions, website, and community masterclass. These will benefit ongoing research, museums and galleries, and the broader public.Read moreRead less
Pursuing Public Health in The Preindustrial World, 1100-1800. This project aims to recover community-health practices in three world regions before the takeoff of European industrialization. It challenges a common chronology and geography in public health history by examining how especially non-urban societies in Europe, the Middle East and India adjusted their behaviors and environments to manage health risks, often relying on the principles of humoral (or Galenic) medicine. A multidisciplinary ....Pursuing Public Health in The Preindustrial World, 1100-1800. This project aims to recover community-health practices in three world regions before the takeoff of European industrialization. It challenges a common chronology and geography in public health history by examining how especially non-urban societies in Europe, the Middle East and India adjusted their behaviors and environments to manage health risks, often relying on the principles of humoral (or Galenic) medicine. A multidisciplinary team will conduct spatial, material, pictorial and text-based analyses, which will collectively extricate public health from Eurocentric narratives of modernization and illuminate preventative-medical cultures often ignored or studied in isolation.Read moreRead less
Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of com ....Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of complex indigenous-settler relations across "New World" sites. The expected outcomes of this project are to promote a deeper appreciation of Australia’s place in a Pacific world with as yet unexplored links to the Americas, and also to model new ways for art history and socio-cultural history to come together to explicate a shared, complicated past.Read moreRead less
Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on sys ....Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on systematic approaches to pictorial method and design, colour theory and art education, all underwritten by an all-encompassing social ambition. This project aims to provide a new cross-disciplinary history of modernism in Australia that shifts focus from solo contributions to the networks of education, where modernism’s impact was most public, widespread and influential.Read moreRead less
Crisis as Opportunity: Societal Change in Early Middle Kingdom Egypt. The project aims to address political and social shifts in the ancient Egyptian early Middle Kingdom c. 4000 years ago. For the first time, and with exclusive study concessions from the government of Egypt, material data of the two most significant cemeteries of the period will be investigated. The project not only expects to generate new knowledge about human interaction during crisis but will utilise interdisciplinary resear ....Crisis as Opportunity: Societal Change in Early Middle Kingdom Egypt. The project aims to address political and social shifts in the ancient Egyptian early Middle Kingdom c. 4000 years ago. For the first time, and with exclusive study concessions from the government of Egypt, material data of the two most significant cemeteries of the period will be investigated. The project not only expects to generate new knowledge about human interaction during crisis but will utilise interdisciplinary research strategies to investigate the emerging opportunities, such as social mobility, for individuals from all strata of society. It will provide significant benefits such as understanding the mechanics of post-crisis political leadership and the cultural impact that enabled the classical period of ancient Egypt to emerge.Read moreRead less
Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. ....Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. The project will benefit and enrich the study of cross-cultural contact and exchange in art history as a larger field, leading to the re-examination of art in the Australasian region.Read moreRead less
Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Aust ....Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.Read moreRead less
The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of ho ....The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of horses, rock engravings, watercolour paintings and branded shields. The project outcomes will be a reconstruction of Aboriginal experiences of pastoralism in Australia to create a more nuanced history of Aboriginal art before 1970, as well as the history of Australian pastoral industries.Read moreRead less
Hacking Copyright in the 21st Century: Art, Law, History & Technology. This project aims to leverage historical insights to investigate the tensions underlying the legal treatment of visual works of art. It will generate software and scholarship that trace the relationship between technology and visual copyright from the first statutory protections of visual artworks in the 18th century through to contemporary regulation of the dissemination of digital image data via digital publishing platforms ....Hacking Copyright in the 21st Century: Art, Law, History & Technology. This project aims to leverage historical insights to investigate the tensions underlying the legal treatment of visual works of art. It will generate software and scholarship that trace the relationship between technology and visual copyright from the first statutory protections of visual artworks in the 18th century through to contemporary regulation of the dissemination of digital image data via digital publishing platforms. Its significance lies in its interdisciplinary and innovative investigation of long-standing problems of contemporary copyright law at the intersection of the visual and digtal domains. It will have impact on law reform and policy development, with benefits for visual artists, collecting institutions and the public.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE200101322
Funder
Australian Research Council
Funding Amount
$343,526.00
Summary
Capturing foundational Australian photography in a globalising world. This project will combine archival research on the foundational years of Australian photography, 1839-54, with new methods of multimedia database design to network early photographs: daguerreotypes, ambrotypes and calotypes, with dispersed manuscripts, journalism and legal proceedings that document their creation. These images are prized by Australian collecting institutions but their significance to our cultural heritage rema ....Capturing foundational Australian photography in a globalising world. This project will combine archival research on the foundational years of Australian photography, 1839-54, with new methods of multimedia database design to network early photographs: daguerreotypes, ambrotypes and calotypes, with dispersed manuscripts, journalism and legal proceedings that document their creation. These images are prized by Australian collecting institutions but their significance to our cultural heritage remains unrecognised. This project will analyse how colonial Australian photographers’ distance from Europe prompted them to innovate with processes, materials and apparatuses. It will excavate this neglected dimension of colonial modernity, assessing its resonance for media heritage, culture, and law.Read moreRead less