Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of com ....Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of complex indigenous-settler relations across "New World" sites. The expected outcomes of this project are to promote a deeper appreciation of Australia’s place in a Pacific world with as yet unexplored links to the Americas, and also to model new ways for art history and socio-cultural history to come together to explicate a shared, complicated past.Read moreRead less
Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on sys ....Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on systematic approaches to pictorial method and design, colour theory and art education, all underwritten by an all-encompassing social ambition. This project aims to provide a new cross-disciplinary history of modernism in Australia that shifts focus from solo contributions to the networks of education, where modernism’s impact was most public, widespread and influential.Read moreRead less
Crisis as Opportunity: Societal Change in Early Middle Kingdom Egypt. The project aims to address political and social shifts in the ancient Egyptian early Middle Kingdom c. 4000 years ago. For the first time, and with exclusive study concessions from the government of Egypt, material data of the two most significant cemeteries of the period will be investigated. The project not only expects to generate new knowledge about human interaction during crisis but will utilise interdisciplinary resear ....Crisis as Opportunity: Societal Change in Early Middle Kingdom Egypt. The project aims to address political and social shifts in the ancient Egyptian early Middle Kingdom c. 4000 years ago. For the first time, and with exclusive study concessions from the government of Egypt, material data of the two most significant cemeteries of the period will be investigated. The project not only expects to generate new knowledge about human interaction during crisis but will utilise interdisciplinary research strategies to investigate the emerging opportunities, such as social mobility, for individuals from all strata of society. It will provide significant benefits such as understanding the mechanics of post-crisis political leadership and the cultural impact that enabled the classical period of ancient Egypt to emerge.Read moreRead less
Hacking Copyright in the 21st Century: Art, Law, History & Technology. This project aims to leverage historical insights to investigate the tensions underlying the legal treatment of visual works of art. It will generate software and scholarship that trace the relationship between technology and visual copyright from the first statutory protections of visual artworks in the 18th century through to contemporary regulation of the dissemination of digital image data via digital publishing platforms ....Hacking Copyright in the 21st Century: Art, Law, History & Technology. This project aims to leverage historical insights to investigate the tensions underlying the legal treatment of visual works of art. It will generate software and scholarship that trace the relationship between technology and visual copyright from the first statutory protections of visual artworks in the 18th century through to contemporary regulation of the dissemination of digital image data via digital publishing platforms. Its significance lies in its interdisciplinary and innovative investigation of long-standing problems of contemporary copyright law at the intersection of the visual and digtal domains. It will have impact on law reform and policy development, with benefits for visual artists, collecting institutions and the public.Read moreRead less
The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a time ....The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a timely contribution to current art historiography that will add significance to Australian art, especially within global institutional contexts. Outcomes include a state gallery exhibition, monograph and catalogue for retail, and potential additions of artworks and archives to national collections.Read moreRead less
Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibit ....Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibitions, one on Australian Orientalism at the National Gallery and the second on historical art in the region. By shedding historical light on people smuggling, contraband and post-Brexit identity at the Strait, the project aims to generate cultural knowledge pertinent to international co-operation.Read moreRead less
Performing transdisciplinarity. This project aims to use the illustrated songbook, a performative genre which fuses image, music and text, to study the transdisciplinary nature of 18th-century print culture. Through multifaceted research on an exemplary songbook, this project will create a multimedia digital interface for linking deep disciplinary knowledge and the recreation of the sounds, sensibilities, and social mores of 18th-century France. The project's model of rich digital understanding ....Performing transdisciplinarity. This project aims to use the illustrated songbook, a performative genre which fuses image, music and text, to study the transdisciplinary nature of 18th-century print culture. Through multifaceted research on an exemplary songbook, this project will create a multimedia digital interface for linking deep disciplinary knowledge and the recreation of the sounds, sensibilities, and social mores of 18th-century France. The project's model of rich digital understanding has potential benefits for cultural institutions whose complex objects lie dormant or underused.Read moreRead less