Heritage in the limelight: the magic lantern in Australia and the world. The project aims to discover and analyse the large number of glass magic lantern slides that remain under-used in our public collections. International scholarship has recently begun to show that lantern slide shows were a ubiquitous, globalised and formative cultural experience. The project aims to explore the international reach and diversity of this globalised modernist apparatus from the Australian perspective. It plans ....Heritage in the limelight: the magic lantern in Australia and the world. The project aims to discover and analyse the large number of glass magic lantern slides that remain under-used in our public collections. International scholarship has recently begun to show that lantern slide shows were a ubiquitous, globalised and formative cultural experience. The project aims to explore the international reach and diversity of this globalised modernist apparatus from the Australian perspective. It plans to understand how diverse audiences affectively experienced these powerful forms of early media, and to develop ways for today’s Australians to re-experience their magic, invigorating and expanding our cultural heritage.Read moreRead less
The impact of Aboriginal art on contemporary urban Australian art. With art people picture and shape their sense of self and national identity. In a time of increasing fragmentation of these identities it is imperative to better understand the shifting politics of representation in today's world. Australia's relationship with its indigenous populations has been the source of major divisions in the Australian community. By showing the positive impact of Aboriginal art on contemporary art, this pr ....The impact of Aboriginal art on contemporary urban Australian art. With art people picture and shape their sense of self and national identity. In a time of increasing fragmentation of these identities it is imperative to better understand the shifting politics of representation in today's world. Australia's relationship with its indigenous populations has been the source of major divisions in the Australian community. By showing the positive impact of Aboriginal art on contemporary art, this project will contribute to a more cohesive national identity. The publication of three books, a national touring exhibition and a web-based database will contribute significantly to the intellectual life of the country and bring this important achievement of Australian cultural life to the wider public.Read moreRead less
Mobilising remote Aboriginal art centre records for art history. This project will use the archives of remote Aboriginal art centres to promote Aboriginal artists. For a long time their work has been thought of overseas as primitive, or of ethnographic interest. By examining the innovations of the work of Aboriginal artists, this project will demonstrate that these are contemporary artists of global quality.
The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of ho ....The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of horses, rock engravings, watercolour paintings and branded shields. The project outcomes will be a reconstruction of Aboriginal experiences of pastoralism in Australia to create a more nuanced history of Aboriginal art before 1970, as well as the history of Australian pastoral industries.Read moreRead less
The Reception of Aboriginal Art in the Twentieth Century. The investigation will analyse:
* the reception of Aboriginal art during the twentieth century, and will demonstrate the extent of national investment in this reception;
* the subtle and often ambivalent relationship between the disciplines of anthropology and art (including art historians, artists or curators) in the reception of Aboriginal art, as well as being alert to other factors (eg Aboriginal activism and political processes);
....The Reception of Aboriginal Art in the Twentieth Century. The investigation will analyse:
* the reception of Aboriginal art during the twentieth century, and will demonstrate the extent of national investment in this reception;
* the subtle and often ambivalent relationship between the disciplines of anthropology and art (including art historians, artists or curators) in the reception of Aboriginal art, as well as being alert to other factors (eg Aboriginal activism and political processes);
* the historical importance of discourses of identity and nationhood in the reception of Aboriginal art;
* the possibilities for re-thinking the received histories of Australian art in light of shifts in the reception of Aboriginal art.
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Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others emplo ....Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others employ it in fundamental questioning the institution of Western painting. Study of this dichotomy will improve understanding of Australian concepts of remoteness in space and time relative to other cultures. Interpretations will also enhance visual and verbal communication between art communities here and overseas. Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE120100056
Funder
Australian Research Council
Funding Amount
$240,000.00
Summary
Design and Art Australia Online: Sustainable data sharing for Australian researchers and collections. This project will produce a comprehensive and authorative research facility of national and international signi?cance. The enhanced Design and Art Australia Online facility will provide crucial information pertaining to Australia’s art and design heritage that will be open for researchers of all levels, from school students through to higher-education researchers.