Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic int ....Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic interpretations. As the first systematic analysis of how aesthetic and conceptual operations interact in Neo-Conceptual art, the study will change how conceptualist art is understood within both post modern art discourse and revisionist aesthetic theory.Read moreRead less
Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to ....Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to achieve political effects. By drawing on theories of globalisation and developing an analysis of affectivity in art, it demonstrates the distinctive contribution of visual imagery to an understanding of issues such as racism, economic globalisation, violence and conflict, refugees and displacement.
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Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in ....Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in Bandung, Yogyakarta and Jakarta); art criticism and its vehicles; exhibitions; museums and private collections; art auctions; and artists' collectives, this project looks at Indonesian art as the product of tension between commodity forms and the creative desires of artists to participate in global contemporary art.Read moreRead less
Mobilising remote Aboriginal art centre records for art history. This project will use the archives of remote Aboriginal art centres to promote Aboriginal artists. For a long time their work has been thought of overseas as primitive, or of ethnographic interest. By examining the innovations of the work of Aboriginal artists, this project will demonstrate that these are contemporary artists of global quality.
A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards elaborate male dress in the period c1740-1790. In so doing, it offers a new explanation for the demise of court dress and the rise of that sober bourgeois style which continues to dominate western male fashion. It will produce the first comprehensive comparative study of two c ....A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards elaborate male dress in the period c1740-1790. In so doing, it offers a new explanation for the demise of court dress and the rise of that sober bourgeois style which continues to dominate western male fashion. It will produce the first comprehensive comparative study of two courtier figures, the French petit-maitre and the English macaroni, in order to advance the hypothesis that these national masculine identities were interdependent, and played a significant role in the redefinition of modern notions of gender, sexuality, health and consumerism.Read moreRead less
A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards aristocratic male dress c1740-90. In so doing, it offers a new explanation for the demise of court dress in Enlightenment Europe and the rise of that sober protestant and bourgeois style which now dominates the appearance of western male elites. It will produce the first compr ....A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards aristocratic male dress c1740-90. In so doing, it offers a new explanation for the demise of court dress in Enlightenment Europe and the rise of that sober protestant and bourgeois style which now dominates the appearance of western male elites. It will produce the first comprehensive comparative study of two courtier figures, the French petit-maitre and the English macaroni, in order to advance the hypothesis that these interdependent national and masculine identities played a significant role in the reformulation of modern notions of gender, sexuality, health and consumerism.Read moreRead less
Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understandin ....Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understanding their contribution to the development of late-modern art. In the process it will reveal the shortcomings of existing art historical interpretations that see these movements as aiming to eliminate expression and subjectivity.Read moreRead less
Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhib ....Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhibitions of paintings and web-based resources linking Australian public institutions and Balinese communities.Read moreRead less
The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, ....The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, the Sultan's patronage and the unique collaborations between European and Ottoman women artists and patrons. The result will be a major innovation within post-colonial and feminist art histories through the inclusion of indigenous perspectives on the production and reception of Orientalist art. The outcome will be two refereed journal articles and a book entitled, The Other Orient.Read moreRead less
Immortal Egypt: cultural tradition and transition during the first intermediate period at Meir. The project will gain new knowledge about the development of ancient Egyptian culture by examining well-preserved tombs dating from the Old through to the Middle Kingdom periods at the cemetery of Meir and analysing the ways in which art, architecture, and socio-religious institutions at the site were maintained or altered over a span of 900 years.