Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. ....Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. The project will benefit and enrich the study of cross-cultural contact and exchange in art history as a larger field, leading to the re-examination of art in the Australasian region.Read moreRead less
Visual cosmopolitanism, national identity and imperialist ambitions in garden spaces. Visual cosmopolitanism is an ideal created through the global movement of art forms. This project will contribute to current debates about the globalisation of art by tracing the concept back to artistic practices and aesthetic theories of the enlightenment through a focus on experience within the eighteenth-century garden.
Human kind: transforming identity in Australian and British portraits 1700-1900 in the National Gallery of Victoria. The National Gallery of Victoria's outstanding collection of Australian and British portraits, spanning the Enlightenment and the dawn of Federation, say much about this nation's cultural evolution within a global context. This project will produce the first interdisciplinary study of these portraits, enabling their online publication and extensive educational programs.
Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg ....Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg c.1500 and to provide a new scholarly path for exploring the relationship between prints and material culture. Expected outcomes include major collaborative articles, an agenda-setting book, exhibitions, website, and community masterclass. These will benefit ongoing research, museums and galleries, and the broader public.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE190100578
Funder
Australian Research Council
Funding Amount
$413,745.00
Summary
Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of c ....Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of cultural networks, and advanced theories for understanding cultural identity in an increasingly connected world.Read moreRead less
Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded ....Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded by studies of Orientalism narrowly focused around single national histories. This project reveals the myriad ways treasures from the Islamic world were being transformed in the 19th century from their prior local religious and cultural functions into exoticism in the West and cultural patrimony in the East.Read moreRead less
Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibit ....Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibitions, one on Australian Orientalism at the National Gallery and the second on historical art in the region. By shedding historical light on people smuggling, contraband and post-Brexit identity at the Strait, the project aims to generate cultural knowledge pertinent to international co-operation.Read moreRead less
Hacking Copyright in the 21st Century: Art, Law, History & Technology. This project aims to leverage historical insights to investigate the tensions underlying the legal treatment of visual works of art. It will generate software and scholarship that trace the relationship between technology and visual copyright from the first statutory protections of visual artworks in the 18th century through to contemporary regulation of the dissemination of digital image data via digital publishing platforms ....Hacking Copyright in the 21st Century: Art, Law, History & Technology. This project aims to leverage historical insights to investigate the tensions underlying the legal treatment of visual works of art. It will generate software and scholarship that trace the relationship between technology and visual copyright from the first statutory protections of visual artworks in the 18th century through to contemporary regulation of the dissemination of digital image data via digital publishing platforms. Its significance lies in its interdisciplinary and innovative investigation of long-standing problems of contemporary copyright law at the intersection of the visual and digtal domains. It will have impact on law reform and policy development, with benefits for visual artists, collecting institutions and the public.Read moreRead less
Art, theatre and community in eighteenth century France. This project explores networks of creativity and innovation binding visual artists and the theatrical world in eighteenth century France. It argues for a community-based understanding of relationships between artists and theatre people, and that these intricate knots of creative agency have tangible effects on the course of art and drama.