Curating Photography in the Age of Photo Sharing. This project aims to develop new curatorial models to enable Australian art galleries to respond effectively to changes in the medium of photography wrought by digital technologies. By conducting the first comprehensive analysis of nearly five decades of Australian photography curating and comparing it to curatorial approaches in related institutions locally and internationally, the project seeks to: identify the crucial role of photography exhib ....Curating Photography in the Age of Photo Sharing. This project aims to develop new curatorial models to enable Australian art galleries to respond effectively to changes in the medium of photography wrought by digital technologies. By conducting the first comprehensive analysis of nearly five decades of Australian photography curating and comparing it to curatorial approaches in related institutions locally and internationally, the project seeks to: identify the crucial role of photography exhibitions in the shaping of Australian visual culture; and develop opportunities for curators to better engage with the current proliferation of images, including new forms and practices of photography enabled by the Internet.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE170100455
Funder
Australian Research Council
Funding Amount
$364,124.00
Summary
Understanding new art and museum participation in Asia. This project aims to understand new forms of public participation in Asia's arts and culture sectors. These sectors are changing in 21st century Asia, with new interest in public participation in art and museum initiatives. However, there is little research on this cultural development. Through researching art-focused public participation in East and Southeast Asia, this project will seek insights into the renewed role of art in shaping pub ....Understanding new art and museum participation in Asia. This project aims to understand new forms of public participation in Asia's arts and culture sectors. These sectors are changing in 21st century Asia, with new interest in public participation in art and museum initiatives. However, there is little research on this cultural development. Through researching art-focused public participation in East and Southeast Asia, this project will seek insights into the renewed role of art in shaping public participation, cultural belonging and creativity in Asia. In so doing, it intends to inform arts and cultural policy, and help Australian cultural and creative-industry partnerships with Asia.Read moreRead less
Australian art exhibitions 1968-2009: a generation of cultural transformation. The years 1968 to 2009 witnessed a transformation in the way Australians saw the art of their country. This project investigates the impact of increased funding (government and private) and new scholarship on the curating of art exhibitions, and traces the reconfiguration of Australia’s art history that took place in exhibitions during this period.
Dialogue with difficult objects: Mediating controversy in museums. This project aims to support proactive engagement with controversial objects in Australian museums. With the Eureka Flag as a case study, new tools for community dialogue and engagement will be developed using innovative methods for voicing and mediating difference. Expected outcomes include new strategies for developing museum exhibitions, publications, and educational resources, as platforms for diversity and tolerance. The pro ....Dialogue with difficult objects: Mediating controversy in museums. This project aims to support proactive engagement with controversial objects in Australian museums. With the Eureka Flag as a case study, new tools for community dialogue and engagement will be developed using innovative methods for voicing and mediating difference. Expected outcomes include new strategies for developing museum exhibitions, publications, and educational resources, as platforms for diversity and tolerance. The project aims to provide significant civic benefits by developing a transferable framework equipping museums to counter social fragmentation with respectful debate and inclusive engagement.Read moreRead less
Aesthetic Education and Public Galleries. To study how galleries can enhance the quality of public engagement with the works of art on show. All galleries want to do this, but there is much uncertainty about how to understand 'quality of engagement' and about what galleries could and should do to enhance this. We shall provide conceptual analysis and a practical model for the provision of aesthetic education in public galleries. This will be a substantial contribution to a widely acknowledged p ....Aesthetic Education and Public Galleries. To study how galleries can enhance the quality of public engagement with the works of art on show. All galleries want to do this, but there is much uncertainty about how to understand 'quality of engagement' and about what galleries could and should do to enhance this. We shall provide conceptual analysis and a practical model for the provision of aesthetic education in public galleries. This will be a substantial contribution to a widely acknowledged problem. We hope to provide a workable model which can be used in gallery practice.Read moreRead less
A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less
The twentieth century in paint. The art market is a major contributor to the Australian economy worth over $500M per annum. However many modern works created with new materials introduced in the 20th century in Australia and Southeast Asia exhibit problems with deterioration, and there is little research on the use and effects of these materials. Without answers to material based preservation questions collectors, curators and conservators cannot make informed decisions. This project, with partn ....The twentieth century in paint. The art market is a major contributor to the Australian economy worth over $500M per annum. However many modern works created with new materials introduced in the 20th century in Australia and Southeast Asia exhibit problems with deterioration, and there is little research on the use and effects of these materials. Without answers to material based preservation questions collectors, curators and conservators cannot make informed decisions. This project, with partners in Australia, Asia, US and UK will provide fundamental information to assist in formulating management strategies, inform curatorship and develop innovative approaches to conservation and the manufacture of art materials.Read moreRead less
Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Art in conflict: transforming contemporary art at Australian War Memorial. This project aims to investigate conflicts and compromises arising within official schemes for commissioning Australian contemporary war art, in partnership with the Australian War Memorial (AWM). The AWM has built on its Official War Artist scheme to transform the commissioning of war art, engaging high profile contemporary artists to produce often challenging work. This project will focus on this important yet under-res ....Art in conflict: transforming contemporary art at Australian War Memorial. This project aims to investigate conflicts and compromises arising within official schemes for commissioning Australian contemporary war art, in partnership with the Australian War Memorial (AWM). The AWM has built on its Official War Artist scheme to transform the commissioning of war art, engaging high profile contemporary artists to produce often challenging work. This project will focus on this important yet under-researched national collection of art, placing it at the centre of current discussions around contemporary art and war. The project seeks to continue to transform the AWM’s curatorial approaches and build an enduring digital archive of analysis and interpretation.Read moreRead less