Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic int ....Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic interpretations. As the first systematic analysis of how aesthetic and conceptual operations interact in Neo-Conceptual art, the study will change how conceptualist art is understood within both post modern art discourse and revisionist aesthetic theory.Read moreRead less
Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to ....Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to achieve political effects. By drawing on theories of globalisation and developing an analysis of affectivity in art, it demonstrates the distinctive contribution of visual imagery to an understanding of issues such as racism, economic globalisation, violence and conflict, refugees and displacement.
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A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards elaborate male dress in the period c1740-1790. In so doing, it offers a new explanation for the demise of court dress and the rise of that sober bourgeois style which continues to dominate western male fashion. It will produce the first comprehensive comparative study of two c ....A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards elaborate male dress in the period c1740-1790. In so doing, it offers a new explanation for the demise of court dress and the rise of that sober bourgeois style which continues to dominate western male fashion. It will produce the first comprehensive comparative study of two courtier figures, the French petit-maitre and the English macaroni, in order to advance the hypothesis that these national masculine identities were interdependent, and played a significant role in the redefinition of modern notions of gender, sexuality, health and consumerism.Read moreRead less
A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards aristocratic male dress c1740-90. In so doing, it offers a new explanation for the demise of court dress in Enlightenment Europe and the rise of that sober protestant and bourgeois style which now dominates the appearance of western male elites. It will produce the first compr ....A comparative historical study of English and French men's self-fashioning, with reference to gender, sexual and national identity, c1740-90. The project analyses the transformation of Anglo-French social attitudes towards aristocratic male dress c1740-90. In so doing, it offers a new explanation for the demise of court dress in Enlightenment Europe and the rise of that sober protestant and bourgeois style which now dominates the appearance of western male elites. It will produce the first comprehensive comparative study of two courtier figures, the French petit-maitre and the English macaroni, in order to advance the hypothesis that these interdependent national and masculine identities played a significant role in the reformulation of modern notions of gender, sexuality, health and consumerism.Read moreRead less
The Reception of Aboriginal Art in the Twentieth Century. The investigation will analyse:
* the reception of Aboriginal art during the twentieth century, and will demonstrate the extent of national investment in this reception;
* the subtle and often ambivalent relationship between the disciplines of anthropology and art (including art historians, artists or curators) in the reception of Aboriginal art, as well as being alert to other factors (eg Aboriginal activism and political processes);
....The Reception of Aboriginal Art in the Twentieth Century. The investigation will analyse:
* the reception of Aboriginal art during the twentieth century, and will demonstrate the extent of national investment in this reception;
* the subtle and often ambivalent relationship between the disciplines of anthropology and art (including art historians, artists or curators) in the reception of Aboriginal art, as well as being alert to other factors (eg Aboriginal activism and political processes);
* the historical importance of discourses of identity and nationhood in the reception of Aboriginal art;
* the possibilities for re-thinking the received histories of Australian art in light of shifts in the reception of Aboriginal art.
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Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understandin ....Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understanding their contribution to the development of late-modern art. In the process it will reveal the shortcomings of existing art historical interpretations that see these movements as aiming to eliminate expression and subjectivity.Read moreRead less
Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhib ....Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhibitions of paintings and web-based resources linking Australian public institutions and Balinese communities.Read moreRead less
The Art of AIDS Prevention: Cultural Responses to HIV/AIDS in Australia and the United States. While a number of studies have examined HIV/AIDS as a biological entity, the crucial 'cultural construction' of AIDS, and the effect of this construction on people living with AIDS and the wider public, is poorly understood. This project will assist wider awareness of the fact that public understandings of disease and affected individuals are both culturally mediated and contestable. In examining the i ....The Art of AIDS Prevention: Cultural Responses to HIV/AIDS in Australia and the United States. While a number of studies have examined HIV/AIDS as a biological entity, the crucial 'cultural construction' of AIDS, and the effect of this construction on people living with AIDS and the wider public, is poorly understood. This project will assist wider awareness of the fact that public understandings of disease and affected individuals are both culturally mediated and contestable. In examining the important role that artists played in confronting AIDS, this project will also suggest how similar cultural interventions might be employed during existing and future disease epidemics and other public health threats.Read moreRead less
The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, ....The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, the Sultan's patronage and the unique collaborations between European and Ottoman women artists and patrons. The result will be a major innovation within post-colonial and feminist art histories through the inclusion of indigenous perspectives on the production and reception of Orientalist art. The outcome will be two refereed journal articles and a book entitled, The Other Orient.Read moreRead less
Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop ....Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop a new approach to photography that enriches our social and cultural imagination, and propels Australian scholarship onto the international agenda. Read moreRead less