Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. ....Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. The project will benefit and enrich the study of cross-cultural contact and exchange in art history as a larger field, leading to the re-examination of art in the Australasian region.Read moreRead less
Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Aust ....Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.Read moreRead less
The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of ho ....The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of horses, rock engravings, watercolour paintings and branded shields. The project outcomes will be a reconstruction of Aboriginal experiences of pastoralism in Australia to create a more nuanced history of Aboriginal art before 1970, as well as the history of Australian pastoral industries.Read moreRead less
Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg ....Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg c.1500 and to provide a new scholarly path for exploring the relationship between prints and material culture. Expected outcomes include major collaborative articles, an agenda-setting book, exhibitions, website, and community masterclass. These will benefit ongoing research, museums and galleries, and the broader public.Read moreRead less
Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on sys ....Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on systematic approaches to pictorial method and design, colour theory and art education, all underwritten by an all-encompassing social ambition. This project aims to provide a new cross-disciplinary history of modernism in Australia that shifts focus from solo contributions to the networks of education, where modernism’s impact was most public, widespread and influential.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE230101262
Funder
Australian Research Council
Funding Amount
$458,318.00
Summary
Art, Migration, State-Building: India in the Indian Ocean World. This project aims to investigate the historical movement of objects, knowledge, and people across cultures in the Indian Ocean world, countering the Eurocentric framework of previous scholarship by adopting a trans-Asian network lens. Focusing on art and architecture in fifteenth-century central India, it examines how an independent, largely Muslim state comprised of migrants fashioned itself through works of art that challenged cu ....Art, Migration, State-Building: India in the Indian Ocean World. This project aims to investigate the historical movement of objects, knowledge, and people across cultures in the Indian Ocean world, countering the Eurocentric framework of previous scholarship by adopting a trans-Asian network lens. Focusing on art and architecture in fifteenth-century central India, it examines how an independent, largely Muslim state comprised of migrants fashioned itself through works of art that challenged cultural and geographical boundaries. This project expects to advance new methodologies for studying hybrid visual cultures, generate new knowledge about the dynamics of global connectedness in the early modern era, and deepen our understanding of the mechanics of migration and cultural exchange today.Read moreRead less
The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a time ....The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a timely contribution to current art historiography that will add significance to Australian art, especially within global institutional contexts. Outcomes include a state gallery exhibition, monograph and catalogue for retail, and potential additions of artworks and archives to national collections.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE190100578
Funder
Australian Research Council
Funding Amount
$413,745.00
Summary
Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of c ....Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of cultural networks, and advanced theories for understanding cultural identity in an increasingly connected world.Read moreRead less
Pursuing Public Health in The Preindustrial World, 1100-1800. This project aims to recover community-health practices in three world regions before the takeoff of European industrialization. It challenges a common chronology and geography in public health history by examining how especially non-urban societies in Europe, the Middle East and India adjusted their behaviors and environments to manage health risks, often relying on the principles of humoral (or Galenic) medicine. A multidisciplinary ....Pursuing Public Health in The Preindustrial World, 1100-1800. This project aims to recover community-health practices in three world regions before the takeoff of European industrialization. It challenges a common chronology and geography in public health history by examining how especially non-urban societies in Europe, the Middle East and India adjusted their behaviors and environments to manage health risks, often relying on the principles of humoral (or Galenic) medicine. A multidisciplinary team will conduct spatial, material, pictorial and text-based analyses, which will collectively extricate public health from Eurocentric narratives of modernization and illuminate preventative-medical cultures often ignored or studied in isolation.Read moreRead less
Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of com ....Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of complex indigenous-settler relations across "New World" sites. The expected outcomes of this project are to promote a deeper appreciation of Australia’s place in a Pacific world with as yet unexplored links to the Americas, and also to model new ways for art history and socio-cultural history to come together to explicate a shared, complicated past.Read moreRead less