Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of com ....Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of complex indigenous-settler relations across "New World" sites. The expected outcomes of this project are to promote a deeper appreciation of Australia’s place in a Pacific world with as yet unexplored links to the Americas, and also to model new ways for art history and socio-cultural history to come together to explicate a shared, complicated past.Read moreRead less
Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibit ....Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibitions, one on Australian Orientalism at the National Gallery and the second on historical art in the region. By shedding historical light on people smuggling, contraband and post-Brexit identity at the Strait, the project aims to generate cultural knowledge pertinent to international co-operation.Read moreRead less
Australian art exhibitions 1968-2009: a generation of cultural transformation. The years 1968 to 2009 witnessed a transformation in the way Australians saw the art of their country. This project investigates the impact of increased funding (government and private) and new scholarship on the curating of art exhibitions, and traces the reconfiguration of Australia’s art history that took place in exhibitions during this period.
A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less
Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
Art in conflict: transforming contemporary art at Australian War Memorial. This project aims to investigate conflicts and compromises arising within official schemes for commissioning Australian contemporary war art, in partnership with the Australian War Memorial (AWM). The AWM has built on its Official War Artist scheme to transform the commissioning of war art, engaging high profile contemporary artists to produce often challenging work. This project will focus on this important yet under-res ....Art in conflict: transforming contemporary art at Australian War Memorial. This project aims to investigate conflicts and compromises arising within official schemes for commissioning Australian contemporary war art, in partnership with the Australian War Memorial (AWM). The AWM has built on its Official War Artist scheme to transform the commissioning of war art, engaging high profile contemporary artists to produce often challenging work. This project will focus on this important yet under-researched national collection of art, placing it at the centre of current discussions around contemporary art and war. The project seeks to continue to transform the AWM’s curatorial approaches and build an enduring digital archive of analysis and interpretation.Read moreRead less
Performing transdisciplinarity. This project aims to use the illustrated songbook, a performative genre which fuses image, music and text, to study the transdisciplinary nature of 18th-century print culture. Through multifaceted research on an exemplary songbook, this project will create a multimedia digital interface for linking deep disciplinary knowledge and the recreation of the sounds, sensibilities, and social mores of 18th-century France. The project's model of rich digital understanding ....Performing transdisciplinarity. This project aims to use the illustrated songbook, a performative genre which fuses image, music and text, to study the transdisciplinary nature of 18th-century print culture. Through multifaceted research on an exemplary songbook, this project will create a multimedia digital interface for linking deep disciplinary knowledge and the recreation of the sounds, sensibilities, and social mores of 18th-century France. The project's model of rich digital understanding has potential benefits for cultural institutions whose complex objects lie dormant or underused.Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE0775489
Funder
Australian Research Council
Funding Amount
$300,000.00
Summary
Dictionary of Australian Artists Online, DAAO: public release version. The DAAO is already positioned as the sole system for the creation and discovery of research into art history in Australia. The DAAO will provide global exposure of Australian research and artists with tangible benefits both economically for cultural industries (including the art industry and tourism) and socially. It will also increase the breadth and depth of general knowledge of Australian art, contributing to the developm ....Dictionary of Australian Artists Online, DAAO: public release version. The DAAO is already positioned as the sole system for the creation and discovery of research into art history in Australia. The DAAO will provide global exposure of Australian research and artists with tangible benefits both economically for cultural industries (including the art industry and tourism) and socially. It will also increase the breadth and depth of general knowledge of Australian art, contributing to the development of national identity through the diversity and richness of Australia's visual cultures. Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE0560738
Funder
Australian Research Council
Funding Amount
$475,000.00
Summary
DAAO The Dictionary of Australian Artists Online. This project seeks funding for the development of a blueprint for an authoritative Dictionary of Australian Artists Online (DAAO). Based on a conceptual framework originated by Joan Kerr in her Dictionary of Australian Artists, the DAAO integrates existing online research with information updated continuously by editorial amendment from new entries generated in scholarly research. Drawing upon the online publishing services, databases and existin ....DAAO The Dictionary of Australian Artists Online. This project seeks funding for the development of a blueprint for an authoritative Dictionary of Australian Artists Online (DAAO). Based on a conceptual framework originated by Joan Kerr in her Dictionary of Australian Artists, the DAAO integrates existing online research with information updated continuously by editorial amendment from new entries generated in scholarly research. Drawing upon the online publishing services, databases and existing archives of the National Library of Australia and the National Gallery of Australia the DAAO provides both a unique opportunity for scholarly contribution and a definitive source of open access information on Australian artists.Read moreRead less