Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the pe ....Aboriginal Femininity and Modern Identity: Gender and Race in the Late Colonial Visual Scene. The project is the first sustained cultural history of Aboriginal femininity in Australian from 1870-1967. It will draw on diverse forms of modern visual culture: painting, black and white drawing, mass commodity spectacle, film and photography, to investigate six modes of production of Aboriginal feminine visibility: the 'primitive' woman in Western exhibiting practices such as colonial museums: the perceived failure of 'Mission Mary' to appear modern; the relation of Aboriginal femininity to imported forms of exoticism; the fetishism of Indigenous women; girl piccaninny kitsch in domestic and tourist ornaments; and the entrance of public Aboriginal women and celebrities into modernity.
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Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in th ....Graphic Encounters: Colonial Prints and the Inscription of Aboriginality. This project plans to collate the archive of prints depicting Indigenous Australians, from national and international collections, to ask how people's place in this newly encroached territory was inscribed by colonial prints. Before the 1890s, prints (engravings, etchings and lithographs) were the principal means of reproducing images. Prints disseminated imagery of Indigenous people and determined how they were 'put in the picture' of settlement. Our colonial-era cultural heritage includes many prints (engravings, etchings, lithographs, etcetera) of Aborigines, yet they have been overlooked and the story of their production, dissemination and consumption is untold. This project aims to collate and trace this visual archive of Indigenous Australians and present its imagery to all Australians, including descendants, in an exhibition and conference, catalogue, monograph and online database.Read moreRead less
Envisaging Citizenship: Australian Histories and Global Connections. This project aims to investigate the ways that visual images have defined, contested and advanced ideas of Australian citizenship and rights from European settlement to the present. Responding to the lack of a shared mainstream understanding of Australian citizenship, it looks beyond legal definitions to explore cultural and especially visual views of citizenship over time. Through collaboration with museum, media and education ....Envisaging Citizenship: Australian Histories and Global Connections. This project aims to investigate the ways that visual images have defined, contested and advanced ideas of Australian citizenship and rights from European settlement to the present. Responding to the lack of a shared mainstream understanding of Australian citizenship, it looks beyond legal definitions to explore cultural and especially visual views of citizenship over time. Through collaboration with museum, media and education sectors, it will provide a forward-looking and accessible public history, and utilise the potential of images to broaden contemporary debates about citizenship. Expected outcomes include a better public understanding of the pathways to citizenship, and enhanced engagement with Australian values and identity.Read moreRead less
A history of press photography in Australia. Press photography has long influenced how Australians have understood themselves and their world. In collaboration with the National Library of Australia and the Walkley Foundation, the project explores the evolving role of photographs in breaking news, and historical shifts in photographic technologies, media practices and ethics.
Australian art exhibitions 1968-2009: a generation of cultural transformation. The years 1968 to 2009 witnessed a transformation in the way Australians saw the art of their country. This project investigates the impact of increased funding (government and private) and new scholarship on the curating of art exhibitions, and traces the reconfiguration of Australia’s art history that took place in exhibitions during this period.
Discovery Early Career Researcher Award - Grant ID: DE230101233
Funder
Australian Research Council
Funding Amount
$454,386.00
Summary
Addressing the Crisis of Local Visual News in Regional and Remote Australia. This project aims to measure the volume and quality of visual content on regional news platforms by diverse publishers in eight key geographic areas. It is the first in Australia to examine the full cycle from production through presentation to consumption for local visual news in a regional context. Expected project outcomes include enhanced relationships between journalists and communities, stronger regional news ecos ....Addressing the Crisis of Local Visual News in Regional and Remote Australia. This project aims to measure the volume and quality of visual content on regional news platforms by diverse publishers in eight key geographic areas. It is the first in Australia to examine the full cycle from production through presentation to consumption for local visual news in a regional context. Expected project outcomes include enhanced relationships between journalists and communities, stronger regional news ecosystems, and a more representative local visual news product. These outcomes boost the academic understanding of an understudied area, help regional Australia, including regional Indigenous Australia, see itself in the journalism that is produced in the regions, and provide commercial benefits to hard-hit news providers.Read moreRead less
Digital photography: mediation, memory and visual communication. This project aims to address the social impact of major shifts in the production, distribution, viewing and storage of photographic images which have profoundly altered their everyday use. By adopting an interdisciplinary, user-centred approach to digitally networked photography, the project will provide a more holistic understanding of how photographs mediate communication, sociality and memory in the present. Expected outcomes i ....Digital photography: mediation, memory and visual communication. This project aims to address the social impact of major shifts in the production, distribution, viewing and storage of photographic images which have profoundly altered their everyday use. By adopting an interdisciplinary, user-centred approach to digitally networked photography, the project will provide a more holistic understanding of how photographs mediate communication, sociality and memory in the present. Expected outcomes include generating original empirical data, building international collaboration, and creating a new conceptual framework for assessing contemporary photographic practices. The research will provide community benefit by enabling insight into the social and ethical tensions affecting photography in the present.
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Cinema and Civilisation: Science, Progress and Empire in Early Film. This study will explore the role of early film in disseminating the Western ideals of progress, science and technology in the colonial nations of Australia's region. Early films made about Indonesia, Indochina, Australia, Papua New Guinea, Malaysia and Singapore as well as India and North Africa will be studied. The study will reveal Australia's dual roles as a recipient of the civilising mission and later as a propagator of th ....Cinema and Civilisation: Science, Progress and Empire in Early Film. This study will explore the role of early film in disseminating the Western ideals of progress, science and technology in the colonial nations of Australia's region. Early films made about Indonesia, Indochina, Australia, Papua New Guinea, Malaysia and Singapore as well as India and North Africa will be studied. The study will reveal Australia's dual roles as a recipient of the civilising mission and later as a propagator of this knowledge in its own sphere of influence. Such an understanding will lead to a fuller comprehension of the relative meaning of terms such as 'progress', 'science' and 'civilisation' in Australia and its region.Read moreRead less
Representation of gender and sexual diversity in Australian film and television. This project aims to investigate the cultural, health and identity impact of gender/sexually-diverse characters, themes and narratives in Australian film and television from 1990 to present. The project expects to generate new knowledge by providing the first comprehensive account of Australian media production’s contribution to sexual minority representation, in the context of its importance for fostering healthy i ....Representation of gender and sexual diversity in Australian film and television. This project aims to investigate the cultural, health and identity impact of gender/sexually-diverse characters, themes and narratives in Australian film and television from 1990 to present. The project expects to generate new knowledge by providing the first comprehensive account of Australian media production’s contribution to sexual minority representation, in the context of its importance for fostering healthy identities, and acceptance of minorities to mainstream audiences in a digital media era. This knowledge will provide significant benefit to the mental health, wellbeing and social harmony for both minority and mainstream Australians and help showcase an important aspect of Australian media inclusivity and diversity in international scholarship.Read moreRead less
Experiencing space: sensory encounters from Baroque Rome to neo-baroque Las Vegas. This project focuses on the historical baroque and the neo-baroque and the relationship between them. The aim of the project is to apply a new methodology to the study of baroque and neo-baroque cultures, one grounded in sensory and spatial approaches. The primary case studies will be the cities of Rome and Las Vegas, two cities that are paradigmatic of the baroque and the neo-baroque. Whereas for theorists such a ....Experiencing space: sensory encounters from Baroque Rome to neo-baroque Las Vegas. This project focuses on the historical baroque and the neo-baroque and the relationship between them. The aim of the project is to apply a new methodology to the study of baroque and neo-baroque cultures, one grounded in sensory and spatial approaches. The primary case studies will be the cities of Rome and Las Vegas, two cities that are paradigmatic of the baroque and the neo-baroque. Whereas for theorists such as Jean Baudrillard argue that Las Vegas embodies the postmodern world in excess, this project will instead argue that it is emblematic of the return of a baroque aesthetics that has been nurtured by consumer culture, multi-media conglomeration and digital technology.Read moreRead less