The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of ....The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of art is of vital significance to the future of Australia, not only in terms of the quality and type of art that is produced by Australian artists, but also to the way that Australians understand the role of the visual arts in their society.Read moreRead less
Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others emplo ....Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others employ it in fundamental questioning the institution of Western painting. Study of this dichotomy will improve understanding of Australian concepts of remoteness in space and time relative to other cultures. Interpretations will also enhance visual and verbal communication between art communities here and overseas. Read moreRead less
Contemporary Australian Photography 1980 to the present. Contemporary Australian art photography has burgeoned over the last 25 years but there is no dedicated book length study in the field. This project will fill this gap by putting Australian photography on an international scholarly agenda, which will generate more scholarship on Australian work. It will have enormous national and community benefit for Australian artists, curators and dealers and the general public who are keenly interested ....Contemporary Australian Photography 1980 to the present. Contemporary Australian art photography has burgeoned over the last 25 years but there is no dedicated book length study in the field. This project will fill this gap by putting Australian photography on an international scholarly agenda, which will generate more scholarship on Australian work. It will have enormous national and community benefit for Australian artists, curators and dealers and the general public who are keenly interested in photography. Read moreRead less
The body-computer interface in new media art from 1984 to the present. Our understanding of computers is restricted by dominant cognitive models of the interface. This study produces an aesthetic framework for analysing new media art as a genre and traces its development through changes in the interface from the restricted keyboard/screen assemblage through multiple sensory interfaces to the emerging trend of producing the interface as dynamic relation between biology and code. It examines the d ....The body-computer interface in new media art from 1984 to the present. Our understanding of computers is restricted by dominant cognitive models of the interface. This study produces an aesthetic framework for analysing new media art as a genre and traces its development through changes in the interface from the restricted keyboard/screen assemblage through multiple sensory interfaces to the emerging trend of producing the interface as dynamic relation between biology and code. It examines the development of interfaces between the body and computers in new media art work, establishing that new media artists, from 1984 onwards, have focussed upon the sensate body as site for interfacing with, and interpenetrating, virtual media.Read moreRead less
Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on desig ....Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on design and innovation of new tools. Outcomes will include print and online publications, a conference and collaboration between three universities.Read moreRead less