A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less
Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less
In Public / In Focus: Photography, Testimony and the Public Sphere. Photography plays an important but little understood role in the public sphere. Photographs invite viewers to identify with stories, events and others, and the ease with which photographs circulate in print and online makes them ideal for fostering discourse and debate. However, the increasing focus on testimony and witness in contemporary culture has recently altered the way that photography operates in public and raised some s ....In Public / In Focus: Photography, Testimony and the Public Sphere. Photography plays an important but little understood role in the public sphere. Photographs invite viewers to identify with stories, events and others, and the ease with which photographs circulate in print and online makes them ideal for fostering discourse and debate. However, the increasing focus on testimony and witness in contemporary culture has recently altered the way that photography operates in public and raised some significant problems for photography historians regarding the representation of events, others and the past. This project will respond to these problems, and produce a new understanding of the historical, social, cultural and political links between photography and the public sphere today.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE190100578
Funder
Australian Research Council
Funding Amount
$413,745.00
Summary
Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of c ....Art and cultural diplomacy. This project aims to investigate questions about cross-cultural communication through the circulation of art objects across the globe. Focusing on early modern diplomatic gifts that are now housed in museums around the world, this project examines the preservation and display of material culture in contemporary museology. Expected outcomes of this project include a better understanding of the role of art in cultural diplomacy, new digital methods for the analysis of cultural networks, and advanced theories for understanding cultural identity in an increasingly connected world.Read moreRead less
Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
Curating Cities: the social and ecological potential of public art practice. This project researches the contribution of public art to eco-sustainable development, focusing on world’s best practice and potential benefits to Sydney and cities in general. It seeks to establish how the arts can promote environmentally beneficial behaviour change and the development of green infrastructure.
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE140100120
Funder
Australian Research Council
Funding Amount
$190,000.00
Summary
Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researc ....Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researchers, new demands are being placed on the facility. Modifications are required to enhance the capabilities of researchers to expand the scope of research facilities offered. This project will refine schema and mappings of events and works to better match researcher queries and enabling data repurposing for visualisation; automate linking facility between established entity links; and develop researcher collaboration functionalities.Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE120100056
Funder
Australian Research Council
Funding Amount
$240,000.00
Summary
Design and Art Australia Online: Sustainable data sharing for Australian researchers and collections. This project will produce a comprehensive and authorative research facility of national and international signi?cance. The enhanced Design and Art Australia Online facility will provide crucial information pertaining to Australia’s art and design heritage that will be open for researchers of all levels, from school students through to higher-education researchers.
Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded ....Artists as collectors of Islamic Art, 1850-1910. The aim of this project is to generate a new understanding of patterns of collecting and interpreting the arts of the near east through the first cross-cultural comparative study of Ottoman and Orientalist artists as collectors in the 19th century. By mapping transcultural networks of artists, dealers and collectors traversing Ottoman, Russian, Polish, French and British cultures, this study reveals international exchanges that have been occluded by studies of Orientalism narrowly focused around single national histories. This project reveals the myriad ways treasures from the Islamic world were being transformed in the 19th century from their prior local religious and cultural functions into exoticism in the West and cultural patrimony in the East.Read moreRead less
Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibit ....Art and Cultural Exchange at the Strait of Gibraltar. The project aims to give a first-time analysis of visual culture at the Strait of Gibraltar. It asks how painting, photography, film, and maps relate to colonial expansion, with a focus on Australian, French and Spanish involvement in the Western Mediterranean. The British fortress-colony of Gibraltar and the international Moroccan port of Tangier have never before been subject to comparative analysis. Key outcomes include two major exhibitions, one on Australian Orientalism at the National Gallery and the second on historical art in the region. By shedding historical light on people smuggling, contraband and post-Brexit identity at the Strait, the project aims to generate cultural knowledge pertinent to international co-operation.Read moreRead less