Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic int ....Aesthetic Strategies in Neo-Conceptual Art, 1980s-1990s. The decline of formalist aesthetics figured prominently in Neo-Conceptual art and postmodern theory of the 1980s. In the 1990s, this trend began to reverse, and revisionist aesthetic theory re-emerged as a salient force in contemporary art scholarship. Using the perspective of revisionist aesthetic theory, this study will show evidence of aesthetic strategies in Neo-Conceptual art that have been neglected in post modern, anti-aesthetic interpretations. As the first systematic analysis of how aesthetic and conceptual operations interact in Neo-Conceptual art, the study will change how conceptualist art is understood within both post modern art discourse and revisionist aesthetic theory.Read moreRead less
Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to ....Ethical Globalism: Changing Strategies of Political Critique and Intervention in Art and Curatorial Practice after 1989. This project identifies and analyses changing strategies of political critique and intervention in the international artworld over the last fifteen years. The first comprehensive study of the impact of globalisation on both art making and international survey exhibitions, it identifies new forms of "transnational" art and curatorial practice that engage affective techniques to achieve political effects. By drawing on theories of globalisation and developing an analysis of affectivity in art, it demonstrates the distinctive contribution of visual imagery to an understanding of issues such as racism, economic globalisation, violence and conflict, refugees and displacement.
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The Reception of Aboriginal Art in the Twentieth Century. The investigation will analyse:
* the reception of Aboriginal art during the twentieth century, and will demonstrate the extent of national investment in this reception;
* the subtle and often ambivalent relationship between the disciplines of anthropology and art (including art historians, artists or curators) in the reception of Aboriginal art, as well as being alert to other factors (eg Aboriginal activism and political processes);
....The Reception of Aboriginal Art in the Twentieth Century. The investigation will analyse:
* the reception of Aboriginal art during the twentieth century, and will demonstrate the extent of national investment in this reception;
* the subtle and often ambivalent relationship between the disciplines of anthropology and art (including art historians, artists or curators) in the reception of Aboriginal art, as well as being alert to other factors (eg Aboriginal activism and political processes);
* the historical importance of discourses of identity and nationhood in the reception of Aboriginal art;
* the possibilities for re-thinking the received histories of Australian art in light of shifts in the reception of Aboriginal art.
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Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understandin ....Affect and Expression in Women's Art in Art Movements of the 1960s and 70s. Through a study of four artists, this project will constitute a major revision of the way art history understands the key art movements of the 1960s and 70s. The study will focus on four women artists?each representing a key movement of the period: Hesse (minimalism), Clark (conceptualism), Cha (conceptualism), Mendieta (land art)?and will demonstrate that their approach to affective expression is the key to understanding their contribution to the development of late-modern art. In the process it will reveal the shortcomings of existing art historical interpretations that see these movements as aiming to eliminate expression and subjectivity.Read moreRead less
The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, ....The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, the Sultan's patronage and the unique collaborations between European and Ottoman women artists and patrons. The result will be a major innovation within post-colonial and feminist art histories through the inclusion of indigenous perspectives on the production and reception of Orientalist art. The outcome will be two refereed journal articles and a book entitled, The Other Orient.Read moreRead less
Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop ....Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop a new approach to photography that enriches our social and cultural imagination, and propels Australian scholarship onto the international agenda. Read moreRead less
A Non-National History of Australian Art. With their emphasis on national identity, the existing accounts of Australian art remain stuck in the 19th century. In a time of increased globalisation and international co-operation, it is worth remembering that Australian art has long been part of the wider community. This new history of Australian art seeks to recount a long and confident history of artistic collaboration between Australia and the rest of the world. It thus seeks to provide a new und ....A Non-National History of Australian Art. With their emphasis on national identity, the existing accounts of Australian art remain stuck in the 19th century. In a time of increased globalisation and international co-operation, it is worth remembering that Australian art has long been part of the wider community. This new history of Australian art seeks to recount a long and confident history of artistic collaboration between Australia and the rest of the world. It thus seeks to provide a new understanding of ourselves and a refutation of the long-running notion of cultural cringe, which can only be maintained -- in the visual arts, at least -- in denial of the historical record.Read moreRead less
A Playful Aesthetic: Reinterpreting Rococo visual culture by studying the serious pursuits of its themes, forms and processes of interactive engagement. My aim is to produce a new understanding of the role of amusement within the visual culture of eighteenth-century Europe. This will be the first comprehensive study to reconnect the diverting forms of Rococo art, architecture and garden design with the aesthetic theories of the period. The project will provide original critical perspectives on t ....A Playful Aesthetic: Reinterpreting Rococo visual culture by studying the serious pursuits of its themes, forms and processes of interactive engagement. My aim is to produce a new understanding of the role of amusement within the visual culture of eighteenth-century Europe. This will be the first comprehensive study to reconnect the diverting forms of Rococo art, architecture and garden design with the aesthetic theories of the period. The project will provide original critical perspectives on the play of forms and emblems in western art. It will also offer an innovative model for recovering processes of reception to indicate how visual experiences contribute to the production of culture.Read moreRead less
The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of ....The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of art is of vital significance to the future of Australia, not only in terms of the quality and type of art that is produced by Australian artists, but also to the way that Australians understand the role of the visual arts in their society.Read moreRead less
Practical Aesthetics: A Study in Understanding Real Events through Contemporary Art. This project advances the concept of practical aesthetics to demonstrate how art is of direct benefit to both the academic and wider community, furnishing concrete techniques that enable us to apprehend and understand key social and political events. It engenders an exhibition, public symposia, a workshop with student/international participation, and a book/articles, presenting Australian art in an internationa ....Practical Aesthetics: A Study in Understanding Real Events through Contemporary Art. This project advances the concept of practical aesthetics to demonstrate how art is of direct benefit to both the academic and wider community, furnishing concrete techniques that enable us to apprehend and understand key social and political events. It engenders an exhibition, public symposia, a workshop with student/international participation, and a book/articles, presenting Australian art in an international framework. The project extends the discipline base of art history, promoting and facilitating the use of art in other disciplines and in debates on events relating to issues of national importance (including border control, Reconciliation, and environmental disaster).
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