A Baroque Archbishop in colonial Australia: James Goold (1812-1886). This project aims to investigate the cultural vision of the first Catholic Archbishop of Melbourne, James Goold (1812-1886), whose architectural patronage changed Melbourne. An Irishman educated in Italy, Goold was a passionate collector and missionary bishop. He imported a library and late Italian Baroque paintings to convey the intensity of European religious experience. When Goold was appointed to Melbourne, it was a provinc ....A Baroque Archbishop in colonial Australia: James Goold (1812-1886). This project aims to investigate the cultural vision of the first Catholic Archbishop of Melbourne, James Goold (1812-1886), whose architectural patronage changed Melbourne. An Irishman educated in Italy, Goold was a passionate collector and missionary bishop. He imported a library and late Italian Baroque paintings to convey the intensity of European religious experience. When Goold was appointed to Melbourne, it was a provincial town, but the discovery of gold and the commissioning of St Patrick's Cathedral made Melbourne an international metropolis. The project will examine Goold’s collection and communicate the results through an exhibition and conference. The research may change our understanding of the narratives of Colonial Australia.Read moreRead less
Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. ....Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. The project will benefit and enrich the study of cross-cultural contact and exchange in art history as a larger field, leading to the re-examination of art in the Australasian region.Read moreRead less
Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Aust ....Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.Read moreRead less
Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in ....Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in Bandung, Yogyakarta and Jakarta); art criticism and its vehicles; exhibitions; museums and private collections; art auctions; and artists' collectives, this project looks at Indonesian art as the product of tension between commodity forms and the creative desires of artists to participate in global contemporary art.Read moreRead less
Mobilising remote Aboriginal art centre records for art history. This project will use the archives of remote Aboriginal art centres to promote Aboriginal artists. For a long time their work has been thought of overseas as primitive, or of ethnographic interest. By examining the innovations of the work of Aboriginal artists, this project will demonstrate that these are contemporary artists of global quality.
The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of ho ....The art of pastoralism in Australia. This project aims to study art made on sheep and cattle station by Aboriginal labourers from the 1880s to the early 1970s, in regions from South-West Australia to Northern Queensland. Australia is said to have been founded 'on the sheep's back', but the experience of Aboriginal labour in Australian pastoralism is little documented. The project will combine the methods of art and labour histories to contextualise carved stock whip handles, early drawings of horses, rock engravings, watercolour paintings and branded shields. The project outcomes will be a reconstruction of Aboriginal experiences of pastoralism in Australia to create a more nuanced history of Aboriginal art before 1970, as well as the history of Australian pastoral industries.Read moreRead less
Curating Photography in the Age of Photo Sharing. This project aims to develop new curatorial models to enable Australian art galleries to respond effectively to changes in the medium of photography wrought by digital technologies. By conducting the first comprehensive analysis of nearly five decades of Australian photography curating and comparing it to curatorial approaches in related institutions locally and internationally, the project seeks to: identify the crucial role of photography exhib ....Curating Photography in the Age of Photo Sharing. This project aims to develop new curatorial models to enable Australian art galleries to respond effectively to changes in the medium of photography wrought by digital technologies. By conducting the first comprehensive analysis of nearly five decades of Australian photography curating and comparing it to curatorial approaches in related institutions locally and internationally, the project seeks to: identify the crucial role of photography exhibitions in the shaping of Australian visual culture; and develop opportunities for curators to better engage with the current proliferation of images, including new forms and practices of photography enabled by the Internet.Read moreRead less
Mega-Exhibitions: Biennales, Triennales and Documentas, 1950-2010. Biennales have offered a dramatically expanded global audience the chance to see contemporary art's boom in recent decades. There is no scholarly publication that describes and analyses the phenomenon's global history, despite the widespread consensus that such comprehensive analysis is needed. This research and book project fills that gap.
Discovery Early Career Researcher Award - Grant ID: DE170100455
Funder
Australian Research Council
Funding Amount
$364,124.00
Summary
Understanding new art and museum participation in Asia. This project aims to understand new forms of public participation in Asia's arts and culture sectors. These sectors are changing in 21st century Asia, with new interest in public participation in art and museum initiatives. However, there is little research on this cultural development. Through researching art-focused public participation in East and Southeast Asia, this project will seek insights into the renewed role of art in shaping pub ....Understanding new art and museum participation in Asia. This project aims to understand new forms of public participation in Asia's arts and culture sectors. These sectors are changing in 21st century Asia, with new interest in public participation in art and museum initiatives. However, there is little research on this cultural development. Through researching art-focused public participation in East and Southeast Asia, this project will seek insights into the renewed role of art in shaping public participation, cultural belonging and creativity in Asia. In so doing, it intends to inform arts and cultural policy, and help Australian cultural and creative-industry partnerships with Asia.Read moreRead less
The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a time ....The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a timely contribution to current art historiography that will add significance to Australian art, especially within global institutional contexts. Outcomes include a state gallery exhibition, monograph and catalogue for retail, and potential additions of artworks and archives to national collections.Read moreRead less