A Baroque Archbishop in colonial Australia: James Goold (1812-1886). This project aims to investigate the cultural vision of the first Catholic Archbishop of Melbourne, James Goold (1812-1886), whose architectural patronage changed Melbourne. An Irishman educated in Italy, Goold was a passionate collector and missionary bishop. He imported a library and late Italian Baroque paintings to convey the intensity of European religious experience. When Goold was appointed to Melbourne, it was a provinc ....A Baroque Archbishop in colonial Australia: James Goold (1812-1886). This project aims to investigate the cultural vision of the first Catholic Archbishop of Melbourne, James Goold (1812-1886), whose architectural patronage changed Melbourne. An Irishman educated in Italy, Goold was a passionate collector and missionary bishop. He imported a library and late Italian Baroque paintings to convey the intensity of European religious experience. When Goold was appointed to Melbourne, it was a provincial town, but the discovery of gold and the commissioning of St Patrick's Cathedral made Melbourne an international metropolis. The project will examine Goold’s collection and communicate the results through an exhibition and conference. The research may change our understanding of the narratives of Colonial Australia.Read moreRead less
Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. ....Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. The project will benefit and enrich the study of cross-cultural contact and exchange in art history as a larger field, leading to the re-examination of art in the Australasian region.Read moreRead less
Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Aust ....Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.Read moreRead less
A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Ab ....A new theory of Aboriginal art. The paradigms developed by scholars have a huge impact on the value of art. After the Australian artworld repositioned Aboriginal art from the frame of 'primitive art' to that of contemporary art, the price of and market for Aboriginal art increased enormously. However, Aboriginal art failed to penetrate the international contemporary artworld because the paradigms of contemporary art within which it was framed were outmoded. Through examining the production of Aboriginal art from the perspectives of its producers and recent globalised contemporary art practices, this project aims to develop a new theory of Aboriginal art that is more aligned with the thinking of current curators who set the agenda at the upper end of the market.Read moreRead less
Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop ....Light, place and presence in the history of Australian photography. Photography is central to Australian history and national identity. It is a powerful tool through which our identities are forged, and through photography our understanding of our place in relation to our environments, each other and the world are made visible. By grounding this research in the unique status of light as a physical agent in photography and a key symbol of identity and place in Australia, this project will develop a new approach to photography that enriches our social and cultural imagination, and propels Australian scholarship onto the international agenda. Read moreRead less
Curating Photography in the Age of Photo Sharing. This project aims to develop new curatorial models to enable Australian art galleries to respond effectively to changes in the medium of photography wrought by digital technologies. By conducting the first comprehensive analysis of nearly five decades of Australian photography curating and comparing it to curatorial approaches in related institutions locally and internationally, the project seeks to: identify the crucial role of photography exhib ....Curating Photography in the Age of Photo Sharing. This project aims to develop new curatorial models to enable Australian art galleries to respond effectively to changes in the medium of photography wrought by digital technologies. By conducting the first comprehensive analysis of nearly five decades of Australian photography curating and comparing it to curatorial approaches in related institutions locally and internationally, the project seeks to: identify the crucial role of photography exhibitions in the shaping of Australian visual culture; and develop opportunities for curators to better engage with the current proliferation of images, including new forms and practices of photography enabled by the Internet.Read moreRead less
Spiritual and cross-cultural elements in contemporary Australian art. This project will benefit the Australian community through new research on Australian art as an arena for the expression of spirituality. Its exploration of the spiritual and cross-cultural aspects of seven outstanding contemporary Australian artists, especially in relation to Aboriginal Art and Asian Art, will provide a strong basis for further comparative research on the history of the relationship between art and spirituali ....Spiritual and cross-cultural elements in contemporary Australian art. This project will benefit the Australian community through new research on Australian art as an arena for the expression of spirituality. Its exploration of the spiritual and cross-cultural aspects of seven outstanding contemporary Australian artists, especially in relation to Aboriginal Art and Asian Art, will provide a strong basis for further comparative research on the history of the relationship between art and spirituality in contemporary Australian art. The resulting book and conference papers will make the fruits of this research widely known in the community.Read moreRead less
Discovery Indigenous Researchers Development - Grant ID: DI0560958
Funder
Australian Research Council
Funding Amount
$166,743.00
Summary
Spiritual Journeying and Cross- culturalism: The Art of Tim Johnson. This project will benefit the Australian community through new research on Tim Johnson , one of Australia's outstanding contemporary artists. Its exploration of the spiritual nature and the cross-cultural aspects of his work, especially in relation to Aboriginal Art, will provide a strong basis for further comparative research on the history of the relationship between art and spirituality in contemporary Australian art. The r ....Spiritual Journeying and Cross- culturalism: The Art of Tim Johnson. This project will benefit the Australian community through new research on Tim Johnson , one of Australia's outstanding contemporary artists. Its exploration of the spiritual nature and the cross-cultural aspects of his work, especially in relation to Aboriginal Art, will provide a strong basis for further comparative research on the history of the relationship between art and spirituality in contemporary Australian art. The resulting book and possible exhibition on this artist will make the fruits of this research widely known in the community.Read moreRead less
Mega-Exhibitions: Biennales, Triennales and Documentas, 1950-2010. Biennales have offered a dramatically expanded global audience the chance to see contemporary art's boom in recent decades. There is no scholarly publication that describes and analyses the phenomenon's global history, despite the widespread consensus that such comprehensive analysis is needed. This research and book project fills that gap.
Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can intera ....Exploring Botanic Gardens Herbarium's value, via Environmental Aesthetics. . The project aims to aesthetically redefine engagement with the plant collection at Royal Botanic Gardens Herbarium (RBG) Sydney and to communicate its artistic, cultural and heritage value to the public through a Public Program of creative arts case studies. It's expected that new insights will arise from an environmental art methodology utilising the digitisation of the Herbarium specimens, so that audiences can interactively experience the plant archive through narratives that activate plants as underpinning ecosystems. Benefits to partners RBG, Bundanon Trust and Open Humanities Press will include the digital expansion of audience engagement with the Herbarium at RBG and Mt Annan and communication of collection’s significance.Read moreRead less