Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. ....Eurasian exchange and artistic transformation in art. This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopolitical context of Mongol Eurasia and the Yuan Empire, to address the questions of influence, contact, and exchange. In reframing the development of early European art as a fundamentally cross-cultural phenomenon, this project aims to offer a better understanding of the roots of our own global visual culture. The project will benefit and enrich the study of cross-cultural contact and exchange in art history as a larger field, leading to the re-examination of art in the Australasian region.Read moreRead less
Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Aust ....Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.Read moreRead less
The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a time ....The Abbey Art Centre: Reassessing postwar Australian art, 1946–1956. In fully documenting Australian artists who worked at the Abbey Arts Centre, London, 1946-56, and the British and European avant-garde in which they mixed, this DP throws light on this historically neglected art colony and recasts conventional understandings of post-WW2 Australian artists’s role in the European postwar period. At a time when this period is being extensively revised within a postcolonial frame, this DP is a timely contribution to current art historiography that will add significance to Australian art, especially within global institutional contexts. Outcomes include a state gallery exhibition, monograph and catalogue for retail, and potential additions of artworks and archives to national collections.Read moreRead less
Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on sys ....Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on systematic approaches to pictorial method and design, colour theory and art education, all underwritten by an all-encompassing social ambition. This project aims to provide a new cross-disciplinary history of modernism in Australia that shifts focus from solo contributions to the networks of education, where modernism’s impact was most public, widespread and influential.Read moreRead less
Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg ....Albrecht Dürer’s Material World – in Melbourne, Manchester and Nuremberg. This project aims to analyse prints in the world-class collection of the iconic Nuremberg artist, Albrecht Dürer, in Melbourne’s National Gallery of Victoria, and to track their 20th-century migration as objects of civic identity from Manchester to Melbourne. A focus on Dürer’s fascination with the technology and craft of objects aims to show how his creativity was rooted in the vibrant entrepreneurial climate of Nuremberg c.1500 and to provide a new scholarly path for exploring the relationship between prints and material culture. Expected outcomes include major collaborative articles, an agenda-setting book, exhibitions, website, and community masterclass. These will benefit ongoing research, museums and galleries, and the broader public.Read moreRead less
Cultivating digital music making in regional Australia. The project aims to examine effective methods of aligning local infrastructure and online resources to support digital music creators and their communities in regional Australia. It will promote digital creative industries and augment existing investments in regional art institutions and digital fabrication infrastructure. The project collaborates with regional digital artists to share their skills and expertise, with the goal of improving ....Cultivating digital music making in regional Australia. The project aims to examine effective methods of aligning local infrastructure and online resources to support digital music creators and their communities in regional Australia. It will promote digital creative industries and augment existing investments in regional art institutions and digital fabrication infrastructure. The project collaborates with regional digital artists to share their skills and expertise, with the goal of improving coordination of resources and infrastructure for the growth of regional digital creatives and engagement with their communities. Knowledge outcomes will assist governments in optimising the delivery of creative services and resources in regional Australia. Read moreRead less
“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the facto ....“The Complete Craze”: Women’s Photography and Colonial Modernity in the Asia-Pacific, 1860-1930. To date there has been no sustained research into the photography produced by women in the Asia-Pacific region in the late colonial era even though much of it was aesthetically sophisticated and innovative. Combining historical research with postcolonial and gender theory, this project critically examines a large body of images by women photographers working across the region. It identifies the factors enabling these women to be examined as a group, investigates their subject matter, techniques and styles, and establishes what was exciting and new, as well as conventional, about their methods. It also shows how their artworks both reflected and contributed to the region’s burgeoning modernity. Read moreRead less
Pursuing Public Health in The Preindustrial World, 1100-1800. This project aims to recover community-health practices in three world regions before the takeoff of European industrialization. It challenges a common chronology and geography in public health history by examining how especially non-urban societies in Europe, the Middle East and India adjusted their behaviors and environments to manage health risks, often relying on the principles of humoral (or Galenic) medicine. A multidisciplinary ....Pursuing Public Health in The Preindustrial World, 1100-1800. This project aims to recover community-health practices in three world regions before the takeoff of European industrialization. It challenges a common chronology and geography in public health history by examining how especially non-urban societies in Europe, the Middle East and India adjusted their behaviors and environments to manage health risks, often relying on the principles of humoral (or Galenic) medicine. A multidisciplinary team will conduct spatial, material, pictorial and text-based analyses, which will collectively extricate public health from Eurocentric narratives of modernization and illuminate preventative-medical cultures often ignored or studied in isolation.Read moreRead less
Performing transdisciplinarity. This project aims to use the illustrated songbook, a performative genre which fuses image, music and text, to study the transdisciplinary nature of 18th-century print culture. Through multifaceted research on an exemplary songbook, this project will create a multimedia digital interface for linking deep disciplinary knowledge and the recreation of the sounds, sensibilities, and social mores of 18th-century France. The project's model of rich digital understanding ....Performing transdisciplinarity. This project aims to use the illustrated songbook, a performative genre which fuses image, music and text, to study the transdisciplinary nature of 18th-century print culture. Through multifaceted research on an exemplary songbook, this project will create a multimedia digital interface for linking deep disciplinary knowledge and the recreation of the sounds, sensibilities, and social mores of 18th-century France. The project's model of rich digital understanding has potential benefits for cultural institutions whose complex objects lie dormant or underused.Read moreRead less