Music production and technology in Australian Film: enabling Australian film to embrace innovation. Given the increasing tendency of the US film industry to co-opt international talent and production bases into its global operation (New Zealand being a prime example), Australian cinema faces mounting hurdles in its quest for national and international success. While education centres such as AFTRS have contributed to excellence in key aspects of local production, Australian film music has been a ....Music production and technology in Australian Film: enabling Australian film to embrace innovation. Given the increasing tendency of the US film industry to co-opt international talent and production bases into its global operation (New Zealand being a prime example), Australian cinema faces mounting hurdles in its quest for national and international success. While education centres such as AFTRS have contributed to excellence in key aspects of local production, Australian film music has been afforded minimal attention. Consequently, music industry training and production often proceeds on the bases of vague assumptions and inefficient precedents. In-depth research is vital to inform national training, production and policy making so as to allow Australian cinema to embrace innovation and engage creatively with the international market.Read moreRead less
Towards efficient real-time generation of detectable musical macrostructure. Efficient generation of detectable large scale musical structure is needed for commercial audiovisual applications, and for creative music making. But computer mediation of music has focused elsewhere: on sound synthesis and sequencing, editing, mixing and notation. I will apply computational processes like the handling of chunks of genetic information in evolution, to generate large scale musical structure. I will con ....Towards efficient real-time generation of detectable musical macrostructure. Efficient generation of detectable large scale musical structure is needed for commercial audiovisual applications, and for creative music making. But computer mediation of music has focused elsewhere: on sound synthesis and sequencing, editing, mixing and notation. I will apply computational processes like the handling of chunks of genetic information in evolution, to generate large scale musical structure. I will control segmentation; framing of internal segments; spatialisation; and the overlaying of separable musical streams. Expert cognitive assessment of the resultant structures will be investigated, and theories of segmentation, streaming and their relationships with expression and affect developed and tested.Read moreRead less