Linkage Infrastructure, Equipment And Facilities - Grant ID: LE0453614
Funder
Australian Research Council
Funding Amount
$338,933.00
Summary
Preserving Australia's Sound Heritage: creating a web-based research infrastructure of major music archives. Preserving Australia's Sound Heritage aims to facilitate access to and research on the Peter Burgis Australian Performing Arts Archive and the Archive of Australian Jewish Music. A collaborative project between The University of Western Australia, Monash University, Curtin University and ScreenSound Australia, PASH will create a web-based catalogue of the sound carriers in the collections ....Preserving Australia's Sound Heritage: creating a web-based research infrastructure of major music archives. Preserving Australia's Sound Heritage aims to facilitate access to and research on the Peter Burgis Australian Performing Arts Archive and the Archive of Australian Jewish Music. A collaborative project between The University of Western Australia, Monash University, Curtin University and ScreenSound Australia, PASH will create a web-based catalogue of the sound carriers in the collections and will digitise a selection of rare and/or fragile recordings. This project is one of national scope. It will open up new research material, enable national and international web-based access to these resources, stimulate research and lead to greater awareness of Australia's sound heritage.Read moreRead less
Empowering Australia: Collecting and Interpreting the Material Culture of Australian Technology in New South Wales, 1880-1972. In Australian social history, the industrial museum occupies an important but largely forgotten place. Today, Sydney's exciting Powerhouse Museum is increasingly conscious of its legacy and lineage, dating from its creation as the Technological and Sanitary Museum of 1880. Nevertheless, much of the material culture of manufacture and innovation that lies in its collect ....Empowering Australia: Collecting and Interpreting the Material Culture of Australian Technology in New South Wales, 1880-1972. In Australian social history, the industrial museum occupies an important but largely forgotten place. Today, Sydney's exciting Powerhouse Museum is increasingly conscious of its legacy and lineage, dating from its creation as the Technological and Sanitary Museum of 1880. Nevertheless, much of the material culture of manufacture and innovation that lies in its collections remains uninterpreted and inaccessible to historians and the public. This project seeks to 'recover' the past of the Museum, and its role in Sydney's heritage of research, design and the applied arts; and to demonstrate the dynamic relevance of historical research to the Museum's present and forward plannning.Read moreRead less
Reconceptualising Heritage Collections: Multidisciplinary Approaches to Museum Collections and Documentation. Museums worldwide are responding to technical advances in digital media. Collection databases and their availability on the World Wide Web are part of this initiative. The potential scope for collections documentation has been transformed by digital technologies, but in reality this has not been matched by the quality of information held in databases - its relationship to current knowled ....Reconceptualising Heritage Collections: Multidisciplinary Approaches to Museum Collections and Documentation. Museums worldwide are responding to technical advances in digital media. Collection databases and their availability on the World Wide Web are part of this initiative. The potential scope for collections documentation has been transformed by digital technologies, but in reality this has not been matched by the quality of information held in databases - its relationship to current knowledge, the needs of online users and new interdisciplinary approaches to material culture research. This project will reconceptualise museum collections acquisition, documentation practices, create a new multidisciplinary multimedia knowledge structure and reform museum practice to address these issues to greatly enhance the value of collections.Read moreRead less
Analysing Testimonies of Jewish Holocaust Survivors. This project utilises Australia's largest collection of Holocaust videotestimonies, held in Melbourne's Jewish Holocaust Centre (JHC), to examine how socio-cultural factors shaped the widely different experiences of Nazi persecution among Holocaust Jewish migrants to Australia, and how video mediates these experiences. Significant conceptual advances will be made in the study of memory, Holocaust and immigration history, class and identity deb ....Analysing Testimonies of Jewish Holocaust Survivors. This project utilises Australia's largest collection of Holocaust videotestimonies, held in Melbourne's Jewish Holocaust Centre (JHC), to examine how socio-cultural factors shaped the widely different experiences of Nazi persecution among Holocaust Jewish migrants to Australia, and how video mediates these experiences. Significant conceptual advances will be made in the study of memory, Holocaust and immigration history, class and identity debates, gender analysis, oral and video history and the theory of testimony. A team of experienced CIs will analyse a broad sample of videos, while the APAI will concentrate on studying a single episode. The JHC will act as industry partner.
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Explaining the Changing Roles of Collections, Curators and Exhibitions in the Production of Museum Images of the Pacific:1900-2000. This study advances the hypothesis, developed as the result of previous research, that museum representations of the Pacific between 1900-2000 were the result of the changing relationship between three factors: the construction of a particular cutural map of the region via the provenance attributed to collections, curatorial activities and exhbitions. It employs Edw ....Explaining the Changing Roles of Collections, Curators and Exhibitions in the Production of Museum Images of the Pacific:1900-2000. This study advances the hypothesis, developed as the result of previous research, that museum representations of the Pacific between 1900-2000 were the result of the changing relationship between three factors: the construction of a particular cutural map of the region via the provenance attributed to collections, curatorial activities and exhbitions. It employs Edward Said's post-colonial theory to explain the factors involved in the production of particular images and their transformation through the colonial and post-colonial periods. This is done in three case studies of two museum anthropology departments: The Australian Museum and the American Museum of Natural HistoryRead moreRead less
Chemical Fingerprinting for Geological and Geographical Provenancing of Ochre Minerals used by Australian Aboriginals. Aboriginal peoples have used ochre in their most meaningful cultural interactions. This usage is reflected in other cultures, but the richness and complexity of the Australian evidence is unique. This partnership of analytical and surface chemists with the museum curators and conservators provides an ideal opportunity to utilize a range of techniques for the unambiguous provenan ....Chemical Fingerprinting for Geological and Geographical Provenancing of Ochre Minerals used by Australian Aboriginals. Aboriginal peoples have used ochre in their most meaningful cultural interactions. This usage is reflected in other cultures, but the richness and complexity of the Australian evidence is unique. This partnership of analytical and surface chemists with the museum curators and conservators provides an ideal opportunity to utilize a range of techniques for the unambiguous provenancing of ochre from an artefact, artwork or an archaeological site. The result will be a greatly enriched understanding of the way in which Aboriginal Australians interacted with one of this country's key resources and should yield fresh conclusions about this country's cultural past.Read moreRead less