Entangled Knowledges in the Robert Neill Collection. This project aims to reverse the trajectories of Menang Nyungar knowledge imbedded in a historical fish collection, returning language, stories, and fishing practices to the Menang community. By working in a cross-sector, collaborative and Indigenous-governed team our research will enrich and re-frame the understanding of this collection in the Museum, unearth Indigenous taxonomic practices, produce new histories of biocultural collections, an ....Entangled Knowledges in the Robert Neill Collection. This project aims to reverse the trajectories of Menang Nyungar knowledge imbedded in a historical fish collection, returning language, stories, and fishing practices to the Menang community. By working in a cross-sector, collaborative and Indigenous-governed team our research will enrich and re-frame the understanding of this collection in the Museum, unearth Indigenous taxonomic practices, produce new histories of biocultural collections, and develop the 'kaardtijin model' for participatory cross-cultural and cross-sector collaborations. Workshops on country will produce content for a digital reassembling of the collection to be used by museum partners, ensuring wide cross-sector and community engagement with project outcomes.Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE170100017
Funder
Australian Research Council
Funding Amount
$1,231,000.00
Summary
Networked knowledge for repatriation communities. This project aims to build a digital facility that supports the repatriation of Indigenous human remains. Repatriation contributes to reconciliation and Indigenous healing and wellbeing, and has been the most important agent of change in the relationship between Indigenous peoples, museums and the academy over the past 40 years. Successful repatriation requires and produces research materials diverse in type, geography and accessibility. Within a ....Networked knowledge for repatriation communities. This project aims to build a digital facility that supports the repatriation of Indigenous human remains. Repatriation contributes to reconciliation and Indigenous healing and wellbeing, and has been the most important agent of change in the relationship between Indigenous peoples, museums and the academy over the past 40 years. Successful repatriation requires and produces research materials diverse in type, geography and accessibility. Within an Indigenous data-governance framework, this project will gather, preserve and make accessible a critical and extensive record of repatriation information worldwide. The project is expected to support repatriation practice and scholarship and improve the opportunities of repatriation for social good.Read moreRead less
Profit and Loss: The commercial trade in Indigenous human remains. This project will be the first to investigate the global commercial trade in Indigenous human remains. It will employ a multi-disciplinary approach involving history, economic anthropology, economic history, and data science. The project will generate new knowledge about the 19th century global marketplace in Australian Indigenous human remains, and will reveal whether and how these are involved in the trade’s modern manifestati ....Profit and Loss: The commercial trade in Indigenous human remains. This project will be the first to investigate the global commercial trade in Indigenous human remains. It will employ a multi-disciplinary approach involving history, economic anthropology, economic history, and data science. The project will generate new knowledge about the 19th century global marketplace in Australian Indigenous human remains, and will reveal whether and how these are involved in the trade’s modern manifestations from 1950 to the present. The project will uncover an unknown history, assist repatriation practice, provide information to help reduce the modern trade, and contribute to truth-telling as a precondition of healing and reconciliation.Read moreRead less
Mobilising Dutch East India Company collections for new global stories . Australia has a rich legacy of archives, art and artefacts, including 4 shipwrecks in WA, from its history of encounters with the Dutch East India Company (VOC). Through comparative research in Australian and overseas museums and archives we aim to situate Australian collections in a global context, creating new stories about Australia as part of the VOC global network. An interdisciplinary team will train 3 ECRs and 7 HDRs ....Mobilising Dutch East India Company collections for new global stories . Australia has a rich legacy of archives, art and artefacts, including 4 shipwrecks in WA, from its history of encounters with the Dutch East India Company (VOC). Through comparative research in Australian and overseas museums and archives we aim to situate Australian collections in a global context, creating new stories about Australia as part of the VOC global network. An interdisciplinary team will train 3 ECRs and 7 HDRs and forge partnerships with the Netherlands, Britain, Denmark, Germany, Sweden, Indonesia, Malaysia, and South Africa, strengthening national capacity. Our analysis will enrich the value of collections, provide narratives for museums and sites, and revitalise content for international and domestic tourism markets.Read moreRead less
Mobilising Aboriginal objects: Indigenous history in international museums . The project aims to build knowledge about exceptional, but poorly-documented, Aboriginal objects from Sydney and NSW coast (c. 1770-1920s) in British and European museums. These objects have not been accessible to Aboriginal communities and other researchers. This project proposes a major innovation: to bring objects to Sydney for community-led and interdisciplinary interpretation. Outcomes will include strong relations ....Mobilising Aboriginal objects: Indigenous history in international museums . The project aims to build knowledge about exceptional, but poorly-documented, Aboriginal objects from Sydney and NSW coast (c. 1770-1920s) in British and European museums. These objects have not been accessible to Aboriginal communities and other researchers. This project proposes a major innovation: to bring objects to Sydney for community-led and interdisciplinary interpretation. Outcomes will include strong relations between Aboriginal communities and overseas museums; a model for collaborative research about historic objects; and a material history of Aboriginal/colonial relations. It benefits communities, governments and museums by laying robust foundations for future projects seeking the return of Indigenous cultural heritage.
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Collecting at the Crossroads: Anthropology, Art & Cultural Change (1939-85). This project will apply current scholarship on museum collecting practices, art and anthropology to produce a better understanding of one of Australia’s most significant, yet little known, collections of Aboriginal art and culture —the Berndt Museum collection. The project will explore the legacy of this collection and generate new ways of appreciating its depth in partnership with the descendants of the Aboriginal peop ....Collecting at the Crossroads: Anthropology, Art & Cultural Change (1939-85). This project will apply current scholarship on museum collecting practices, art and anthropology to produce a better understanding of one of Australia’s most significant, yet little known, collections of Aboriginal art and culture —the Berndt Museum collection. The project will explore the legacy of this collection and generate new ways of appreciating its depth in partnership with the descendants of the Aboriginal people who made it. Focusing on materials collected in inland Australia, we will develop a collaborative means of interrogating the collection. The project will benefit Aboriginal communities and the wider Australian public via the production of on-line resources and public exhibitions celebrating this unique cultural collection.Read moreRead less
Heritage of the air: how aviation transformed Australia. This project aims to generate new understandings of how aviation has transformed Australian society over the last hundred years, and how the technology of global mobility has shaped people, cultures and communities. Whilst aviation has transformed Australian society over the last hundred years, its heritage is under-appreciated and at risk. The project will build a partnership between the aviation industry, community groups, museums and a ....Heritage of the air: how aviation transformed Australia. This project aims to generate new understandings of how aviation has transformed Australian society over the last hundred years, and how the technology of global mobility has shaped people, cultures and communities. Whilst aviation has transformed Australian society over the last hundred years, its heritage is under-appreciated and at risk. The project will build a partnership between the aviation industry, community groups, museums and a multidisciplinary academic team to develop fresh insights from under-utilised sources of aviation heritage, communicate their unique stories to the public through innovative exhibitions and publications, and help conserve it for future generations. As a result, the project will make an important contribution to culture and society by enabling community access to neglected and at-risk sources of aviation heritage, and engage the public’s fascination with aviation through new interpretations of its extraordinary social and cultural impact.Read moreRead less
How Meston's 'Wild Australia Show' shaped Australian Aboriginal history. How Meston's 'Wild Australia Show' shaped Australian Aboriginal history. This project aims to produce an authoritative and original interpretation of the Wild Australia Show (1892–93), staged by a diverse company of Aboriginal people for metropolitan audiences. The Show will be the focus of an interdisciplinary study of performance, photography, collections and race relations in colonial Australia, using archival and visual ....How Meston's 'Wild Australia Show' shaped Australian Aboriginal history. How Meston's 'Wild Australia Show' shaped Australian Aboriginal history. This project aims to produce an authoritative and original interpretation of the Wild Australia Show (1892–93), staged by a diverse company of Aboriginal people for metropolitan audiences. The Show will be the focus of an interdisciplinary study of performance, photography, collections and race relations in colonial Australia, using archival and visual records. The project will situate the Show in local, national and transnational narratives informed by contemporary Indigenous perspectives. This research should illuminate Aboriginal agency in the ensemble, reconnect Aboriginal kin to performers, and chart changing concepts of race at a critical juncture in Australian history.Read moreRead less