Increasing Visitor Frequency: approach to understanding and forecasting how cultural attraction visitors respond to various incentives to increase visitation rates. Museums have been steadily losing visitors over the past decade. While current research indicates that this may be attributed to greater leisure competition, little is understood about how people make choices to visit or not to visit cultural attractions. The aim of this project is to develop, demonstrate and test a Random Utility Th ....Increasing Visitor Frequency: approach to understanding and forecasting how cultural attraction visitors respond to various incentives to increase visitation rates. Museums have been steadily losing visitors over the past decade. While current research indicates that this may be attributed to greater leisure competition, little is understood about how people make choices to visit or not to visit cultural attractions. The aim of this project is to develop, demonstrate and test a Random Utility Theory (RUT)-based modelling approach allowing managers of cultural attractions to understand and predict the likely visitation consequences of potential initiatives. We wish to model visitor choices of museums versus other competing attractions to allow museums to identify specific strategic actions (or combinations) to achieve organisational goals.Read moreRead less
Engaging objects: Indigenous communities, museum collections and the representation of Indigenous histories. This project centres on the research process leading up to a major exhibition in Australia of the British Museum's Australian Indigenous collections. By exploring the historical and representational issues evoked in creating this exhibition, new understandings of these collections and their historical and contemporary significance will result.
Cross-cultural translations: initiating Australian encounters with post colonial Korean art and national identity. The project analyses the complex problems of exhibiting the art of other cultures to both insiders and outsiders. It develops a new theoretical approach to understanding the complexities of cross-cultural translation, the dynamics of cross-cultural receptions, and the concepts of otherness and identity in visual arts. In translating and presenting the rich, diverse and vibrant art o ....Cross-cultural translations: initiating Australian encounters with post colonial Korean art and national identity. The project analyses the complex problems of exhibiting the art of other cultures to both insiders and outsiders. It develops a new theoretical approach to understanding the complexities of cross-cultural translation, the dynamics of cross-cultural receptions, and the concepts of otherness and identity in visual arts. In translating and presenting the rich, diverse and vibrant art of post-1945 Korea in an art historically important yet accessible way, first to culturally unfamiliar Australians, then to other Asians and finally to Koreans themselves, a new model for exhibiting other cultures will be developed.Read moreRead less
Mobilising Dutch East India Company collections for new global stories . Australia has a rich legacy of archives, art and artefacts, including 4 shipwrecks in WA, from its history of encounters with the Dutch East India Company (VOC). Through comparative research in Australian and overseas museums and archives we aim to situate Australian collections in a global context, creating new stories about Australia as part of the VOC global network. An interdisciplinary team will train 3 ECRs and 7 HDRs ....Mobilising Dutch East India Company collections for new global stories . Australia has a rich legacy of archives, art and artefacts, including 4 shipwrecks in WA, from its history of encounters with the Dutch East India Company (VOC). Through comparative research in Australian and overseas museums and archives we aim to situate Australian collections in a global context, creating new stories about Australia as part of the VOC global network. An interdisciplinary team will train 3 ECRs and 7 HDRs and forge partnerships with the Netherlands, Britain, Denmark, Germany, Sweden, Indonesia, Malaysia, and South Africa, strengthening national capacity. Our analysis will enrich the value of collections, provide narratives for museums and sites, and revitalise content for international and domestic tourism markets.Read moreRead less
Laser cleaning processes for Roads and Maritime Services bridges. This project aims to develop innovative laser cleaning processes to conserve the structural integrity and iconic status of the Sydney Harbour Bridge. New laser technologies offer the opportunity to remove lead-based paint and clean the bridge’s metal structures and granite pylons offering advantages unavailable with current techniques. The expected outcomes will be new best-practice laser conservation techniques usable for both ha ....Laser cleaning processes for Roads and Maritime Services bridges. This project aims to develop innovative laser cleaning processes to conserve the structural integrity and iconic status of the Sydney Harbour Bridge. New laser technologies offer the opportunity to remove lead-based paint and clean the bridge’s metal structures and granite pylons offering advantages unavailable with current techniques. The expected outcomes will be new best-practice laser conservation techniques usable for both hand-held and automated systems to preserve one of the most iconic bridges in the world. This will reduce maintenance frequency and cost, restore the beauty of the bridge, retain its engineering significance and provide a baseline process for cleaning of other historical large scale metal and stone heritage objects.Read moreRead less
The Relational Museum and its Objects. This project, being conducted in collaboration with Indigenous communities and regional museums in Australia and the United Kingdom, aims to develop and to pilot approaches that facilitate Indigenous people’s access to and engagement with museum collections and objects. Reconnecting Indigenous Australian communities with ethnographic collections is central to contemporary museum practice. Yet, the historical dispersal of objects across museums, nationally a ....The Relational Museum and its Objects. This project, being conducted in collaboration with Indigenous communities and regional museums in Australia and the United Kingdom, aims to develop and to pilot approaches that facilitate Indigenous people’s access to and engagement with museum collections and objects. Reconnecting Indigenous Australian communities with ethnographic collections is central to contemporary museum practice. Yet, the historical dispersal of objects across museums, nationally and internationally, makes relationship and reconnection a challenge to communities and museums alike. The project seeks to address this and to contribute to new museum practice and museum development in Australia.Read moreRead less
Studies of the degradation of dyes and pigments in inks on paper, in photographic media, and on painted surfaces. The National collecting institutions (the National Archives of Australia, the National Museum of Australia,Screen Sound Australia, the National Library of Australia, and the Australian War Memorial) have collections important to our national heritage on paper, photographic film and other media which they are required by law to preserve for future generations of Australians. Surveys ....Studies of the degradation of dyes and pigments in inks on paper, in photographic media, and on painted surfaces. The National collecting institutions (the National Archives of Australia, the National Museum of Australia,Screen Sound Australia, the National Library of Australia, and the Australian War Memorial) have collections important to our national heritage on paper, photographic film and other media which they are required by law to preserve for future generations of Australians. Surveys of their collections have shown that a significant proportion of their most important collections is in need of conservation. This project aims at determining ways of conserving these valuable artefacts, and developing strategies for their display and storage.Read moreRead less
Collecting at the Crossroads: Anthropology, Art & Cultural Change (1939-85). This project will apply current scholarship on museum collecting practices, art and anthropology to produce a better understanding of one of Australia’s most significant, yet little known, collections of Aboriginal art and culture —the Berndt Museum collection. The project will explore the legacy of this collection and generate new ways of appreciating its depth in partnership with the descendants of the Aboriginal peop ....Collecting at the Crossroads: Anthropology, Art & Cultural Change (1939-85). This project will apply current scholarship on museum collecting practices, art and anthropology to produce a better understanding of one of Australia’s most significant, yet little known, collections of Aboriginal art and culture —the Berndt Museum collection. The project will explore the legacy of this collection and generate new ways of appreciating its depth in partnership with the descendants of the Aboriginal people who made it. Focusing on materials collected in inland Australia, we will develop a collaborative means of interrogating the collection. The project will benefit Aboriginal communities and the wider Australian public via the production of on-line resources and public exhibitions celebrating this unique cultural collection.Read moreRead less
Photogrammetric Reconstruction for Underwater Virtual Heritage Experiences. This project aims to enable significant underwater cultural heritage sites such as shipwrecks to be recreated in immersive underwater virtual heritage experiences. Photogrammetric 3D reconstruction techniques will be used to generate complex digital 3D models of shipwreck sites from hundreds of thousands of underwater images. This will allow vivid experiences to be created which explain the stories of these wrecks. The p ....Photogrammetric Reconstruction for Underwater Virtual Heritage Experiences. This project aims to enable significant underwater cultural heritage sites such as shipwrecks to be recreated in immersive underwater virtual heritage experiences. Photogrammetric 3D reconstruction techniques will be used to generate complex digital 3D models of shipwreck sites from hundreds of thousands of underwater images. This will allow vivid experiences to be created which explain the stories of these wrecks. The project will conduct audience engagement studies to recommend the most appropriate methods to implement underwater virtual heritage experiences for Australian audiences. The sites which will be used as test datasets are some of the most significant Australian shipwreck sites, including HMAS Sydney (II) and HMAS AE1.Read moreRead less
Everyday Heritage. This project aims to uncover everyday but overlooked forms of Australian heritage. Working collaboratively to bridge academic and industry practice, it seeks to develop innovative methods with outcomes expected to include enhanced collaboration between heritage, digital humanities, and historical research, and new resources for communities and the heritage sector. This should provide significant social and cultural benefits such as more inclusive forms of heritage, and broader ....Everyday Heritage. This project aims to uncover everyday but overlooked forms of Australian heritage. Working collaboratively to bridge academic and industry practice, it seeks to develop innovative methods with outcomes expected to include enhanced collaboration between heritage, digital humanities, and historical research, and new resources for communities and the heritage sector. This should provide significant social and cultural benefits such as more inclusive forms of heritage, and broader intellectual and practical understandings of shared history and citizenship. The project will promote public debate on the role of the past in modern Australia through a range of new forms of history and heritage, digital resources and heritage management tools.
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