From colonial to modern: transnational girlhood in Australian, New Zealand, and Canadian print cultures (1840-1940). This project will produce new histories of girlhood through the examination of Australian, New Zealand, and Canadian print culture. It will shed new light on how colonial girlhood reflected transitional ideals and how Australia related to fellow colonies through its print culture and developed unique national ideals for girls in the modern period.
From colonial to modern: transnational girlhood in Australian, New Zealand, and Canadian print cultures (1840-1940). This project will produce new histories of girlhood through the examination of Australian, New Zealand, and Canadian print culture. It will shed new light on how colonial girlhood reflected transitional ideals and how Australia related to fellow colonies through its print culture and developed unique national ideals for girls in the modern period.
Literature and the Face: A Critical History. The project aims to chart and analyse the representation of the human face in literary texts from the medieval to the contemporary era. It expects to generate comprehensive new knowledge about changing literary and textual discourses about the face by combining rhetorical analysis, the insights of cognitive literary theory, and digital methodologies. Significant outcomes include a deeper understanding of the cultural history of facial expression, iden ....Literature and the Face: A Critical History. The project aims to chart and analyse the representation of the human face in literary texts from the medieval to the contemporary era. It expects to generate comprehensive new knowledge about changing literary and textual discourses about the face by combining rhetorical analysis, the insights of cognitive literary theory, and digital methodologies. Significant outcomes include a deeper understanding of the cultural history of facial expression, identity and emotion, with particular attention to gender and ethnicity. The project’s engagement activities will illuminate the relationship between literary history and contemporary social understandings of the face and allow us to better understand current transformations in facial recognition.Read moreRead less
Literature and the Face: A Critical History. The project aims to chart and analyse the representation of the human face in literary texts from the medieval to the contemporary era. It expects to generate comprehensive new knowledge about changing literary and textual discourses about the face by combining rhetorical analysis, the insights of cognitive literary theory, and digital methodologies. Significant outcomes include a deeper understanding of the cultural history of facial expression, iden ....Literature and the Face: A Critical History. The project aims to chart and analyse the representation of the human face in literary texts from the medieval to the contemporary era. It expects to generate comprehensive new knowledge about changing literary and textual discourses about the face by combining rhetorical analysis, the insights of cognitive literary theory, and digital methodologies. Significant outcomes include a deeper understanding of the cultural history of facial expression, identity and emotion, with particular attention to gender and ethnicity. The project’s engagement activities will illuminate the relationship between literary history and contemporary social understandings of the face and allow us to better understand current transformations in facial recognition.Read moreRead less