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Socio-Economic Objective : Visual Communication
Field of Research : Art History And Appreciation
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  • Funded Activity

    Discovery Projects - Grant ID: DP0879237

    Funder
    Australian Research Council
    Funding Amount
    $372,000.00
    Summary
    Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on desig .... Genealogies of digital light. The first interdisciplinary account of practice in light technologies, this project will look in detail at the innovation process in the techniques and technologies used in depicting, recording and projecting light. It will explore how contemporary digital media imitate, advance or retreat from the achievements of older techniques and devices; how accidental artefacts of specific media become desirable outcomes in others; and how these past processes impact on design and innovation of new tools. Outcomes will include print and online publications, a conference and collaboration between three universities.
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    Funded Activity

    Linkage Projects - Grant ID: LP0883981

    Funder
    Australian Research Council
    Funding Amount
    $227,739.00
    Summary
    Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhib .... Understanding Balinese paintings: collections, narrative, aesthetics and society. This project will use digital tools, fieldwork and formal analysis to link a major collection of Balinese paintings held in Australia to collections elsewhere in the world, and to the current practices of Balinese artists. The project increases the capacity of Australia to analyse the cultures of Indonesia and to contribute to regional heritage preservation. The outcomes will provide a basis for future public exhibitions of paintings and web-based resources linking Australian public institutions and Balinese communities.
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    Linkage Projects - Grant ID: LP0990264

    Funder
    Australian Research Council
    Funding Amount
    $210,000.00
    Summary
    Medieval and Renaissance Manuscripts in Australia: researching and relating Australia's manuscript holdings to new technologies and new readers. Building on the productive partnership forged with the State Library of Victoria in the presentation of a recent large-scale manuscript exhibition, this project will research the Medieval and Renaissance manuscripts in Australia with reference to the interests of scholars and the general public. National and community benefits include access online to t .... Medieval and Renaissance Manuscripts in Australia: researching and relating Australia's manuscript holdings to new technologies and new readers. Building on the productive partnership forged with the State Library of Victoria in the presentation of a recent large-scale manuscript exhibition, this project will research the Medieval and Renaissance manuscripts in Australia with reference to the interests of scholars and the general public. National and community benefits include access online to this precious heritage material and its global connections, and communication of research findings in publications and events designed for a variety of readers and audiences. The project will foster collaboration between curators, librarians and academic scholars and ensure Australia's timely participation in important international initiatives in this field
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    Funded Activity

    Discovery Projects - Grant ID: DP0210410

    Funder
    Australian Research Council
    Funding Amount
    $47,425.00
    Summary
    Art and Amusement in Eighteenth-Century France. My aim is to produce an interpretive study analysing the role of amusement within the visual culture of eighteenth-century France. By reconnecting the aesthetic theory of the Enlightenment with the diverting qualities of rococo art, the project demonstrates the serious side of play during the Old Regime. Not only will the project provide fresh critical perspectives on French art, the Enlightenment and the origins of aesthetic theory; it will also o .... Art and Amusement in Eighteenth-Century France. My aim is to produce an interpretive study analysing the role of amusement within the visual culture of eighteenth-century France. By reconnecting the aesthetic theory of the Enlightenment with the diverting qualities of rococo art, the project demonstrates the serious side of play during the Old Regime. Not only will the project provide fresh critical perspectives on French art, the Enlightenment and the origins of aesthetic theory; it will also offer a new model for recovering processes of reception and indicate how visual experiences contribute to the production of culture.
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    Funded Activity

    Discovery Projects - Grant ID: DP0987707

    Funder
    Australian Research Council
    Funding Amount
    $194,000.00
    Summary
    The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of .... The Business of Art: Corporate Interventions into the Production, Display, and Reception of the Visual Arts. The corporate presence in the Australian art world has increased exponentially over the past decade, resulting in a redefinition of the arts as an industry not to be subsidised but marketed. This project's analysis of the art historical implications of this corporate presence and an assessment of the aesthetic impact of increased corporate interventions into the production and display of art is of vital significance to the future of Australia, not only in terms of the quality and type of art that is produced by Australian artists, but also to the way that Australians understand the role of the visual arts in their society.
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    Funded Activity

    Discovery Projects - Grant ID: DP0556855

    Funder
    Australian Research Council
    Funding Amount
    $122,000.00
    Summary
    Contemporary Australian Photography 1980 to the present. Contemporary Australian art photography has burgeoned over the last 25 years but there is no dedicated book length study in the field. This project will fill this gap by putting Australian photography on an international scholarly agenda, which will generate more scholarship on Australian work. It will have enormous national and community benefit for Australian artists, curators and dealers and the general public who are keenly interested .... Contemporary Australian Photography 1980 to the present. Contemporary Australian art photography has burgeoned over the last 25 years but there is no dedicated book length study in the field. This project will fill this gap by putting Australian photography on an international scholarly agenda, which will generate more scholarship on Australian work. It will have enormous national and community benefit for Australian artists, curators and dealers and the general public who are keenly interested in photography.
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    Funded Activity

    Discovery Projects - Grant ID: DP0556992

    Funder
    Australian Research Council
    Funding Amount
    $84,000.00
    Summary
    Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others emplo .... Representations of the Backs of Paintings: Analysis and History. Australia's regional status within the Western tradition of painting makes it a highly significant test case within the geographical criteria of the study. The paradoxical effects of closeness and distance in representations of the backs of paintings made its use here surprisingly frequent and strikingly ambivalent. Some painters obsessively repeat the motif as if to overcome remoteness from the tradition of Velásquez. Others employ it in fundamental questioning the institution of Western painting. Study of this dichotomy will improve understanding of Australian concepts of remoteness in space and time relative to other cultures. Interpretations will also enhance visual and verbal communication between art communities here and overseas.
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    Funded Activity

    Discovery Projects - Grant ID: DP0345600

    Funder
    Australian Research Council
    Funding Amount
    $86,337.00
    Summary
    The body-computer interface in new media art from 1984 to the present. Our understanding of computers is restricted by dominant cognitive models of the interface. This study produces an aesthetic framework for analysing new media art as a genre and traces its development through changes in the interface from the restricted keyboard/screen assemblage through multiple sensory interfaces to the emerging trend of producing the interface as dynamic relation between biology and code. It examines the d .... The body-computer interface in new media art from 1984 to the present. Our understanding of computers is restricted by dominant cognitive models of the interface. This study produces an aesthetic framework for analysing new media art as a genre and traces its development through changes in the interface from the restricted keyboard/screen assemblage through multiple sensory interfaces to the emerging trend of producing the interface as dynamic relation between biology and code. It examines the development of interfaces between the body and computers in new media art work, establishing that new media artists, from 1984 onwards, have focussed upon the sensate body as site for interfacing with, and interpenetrating, virtual media.
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    Funded Activity

    Linkage - International - Grant ID: LX0455661

    Funder
    Australian Research Council
    Funding Amount
    $10,000.00
    Summary
    The Madrid Skylitzes: Electronic reproduction and international interdisciplinary study of the first illustrated history book. With its 574 miniatures, the Madrid Skylitzes is the only known illustrated Greek chronicle (and the sole source for certain periods). But is it Europe's first illustrated history book or copied from a Constantinopolitan original? Token Greek resistance to the increasing Latinization of tri-cultural Sicily or Norman propaganda to undermine Byzantine claims to the island? .... The Madrid Skylitzes: Electronic reproduction and international interdisciplinary study of the first illustrated history book. With its 574 miniatures, the Madrid Skylitzes is the only known illustrated Greek chronicle (and the sole source for certain periods). But is it Europe's first illustrated history book or copied from a Constantinopolitan original? Token Greek resistance to the increasing Latinization of tri-cultural Sicily or Norman propaganda to undermine Byzantine claims to the island? Isolated studies have produced starkly contradictory answers. Recent cross-disciplinary investigations by an international team have yielded better results. The collaborators will apply the methods of codicology, palaeography, stylistics, art history, historiography, computational linguistics, narratology and intertextuality to elucidate this key cultural product.
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