Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of com ....Facing new worlds: comparative histories of Australasia and North America. This project aims to develop comparative research into Indigenous and settler experiences in Australasia and North America in order to discover new connections or distinctions between the two regions for both public and academic audiences. The project will centre on a major exhibition with a focus on biography and life representation and will develop new methodologies for examining the shared or different histories of complex indigenous-settler relations across "New World" sites. The expected outcomes of this project are to promote a deeper appreciation of Australia’s place in a Pacific world with as yet unexplored links to the Americas, and also to model new ways for art history and socio-cultural history to come together to explicate a shared, complicated past.Read moreRead less
Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on sys ....Bauhaus Australia: Transforming Education in Art, Architecture and Design. This project aims to examine the influence of Bauhaus-inspired émigrés on Australian cultural life. An under-examined but profound influence on Australian cultural history was the forced migration of émigré and refugee modernists from Germany and central Europe, who transformed art, architectural and design education from the 1930s to the 1970s. German and central European training, inspired by the Bauhaus, centred on systematic approaches to pictorial method and design, colour theory and art education, all underwritten by an all-encompassing social ambition. This project aims to provide a new cross-disciplinary history of modernism in Australia that shifts focus from solo contributions to the networks of education, where modernism’s impact was most public, widespread and influential.Read moreRead less
Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Aust ....Outsider artists and the reformulation of Australian art. This project aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE200101322
Funder
Australian Research Council
Funding Amount
$343,526.00
Summary
Capturing foundational Australian photography in a globalising world. This project will combine archival research on the foundational years of Australian photography, 1839-54, with new methods of multimedia database design to network early photographs: daguerreotypes, ambrotypes and calotypes, with dispersed manuscripts, journalism and legal proceedings that document their creation. These images are prized by Australian collecting institutions but their significance to our cultural heritage rema ....Capturing foundational Australian photography in a globalising world. This project will combine archival research on the foundational years of Australian photography, 1839-54, with new methods of multimedia database design to network early photographs: daguerreotypes, ambrotypes and calotypes, with dispersed manuscripts, journalism and legal proceedings that document their creation. These images are prized by Australian collecting institutions but their significance to our cultural heritage remains unrecognised. This project will analyse how colonial Australian photographers’ distance from Europe prompted them to innovate with processes, materials and apparatuses. It will excavate this neglected dimension of colonial modernity, assessing its resonance for media heritage, culture, and law.Read moreRead less
Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
Digitising art projects archive. This project aims to theorise and document the creation of a permanent record of the development of public art in Australia through the digitisation of the Kaldor Public Art Projects (KPAP) archive. Digitising the archive will advance knowledge in social history and art history, and cement the cultural legacy of the KPAP archive. The project will make the KPAP archive an online resource widely available to researchers and the public. Over five decades KPAP, the f ....Digitising art projects archive. This project aims to theorise and document the creation of a permanent record of the development of public art in Australia through the digitisation of the Kaldor Public Art Projects (KPAP) archive. Digitising the archive will advance knowledge in social history and art history, and cement the cultural legacy of the KPAP archive. The project will make the KPAP archive an online resource widely available to researchers and the public. Over five decades KPAP, the first organisation of its type in the world which has attracted strong public interest, has created innovative, ground-breaking public art projects that, although temporary, have left a cultural permanence in the Australian art landscape. Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE150100756
Funder
Australian Research Council
Funding Amount
$371,034.00
Summary
New light on Cambodia’s Dark Age (1350 - 1750). This project aims to conduct the first systematic archaeological investigations of Cambodian Middle Period capitals on the banks of the Mekong and Tonle Sap arterial rivers between 1350 and 1750. Whilst the decline of Angkor is one of the most significant events in the history of Southeast Asia, we do not have a precise date for the event that involved the relocation of many hundreds of thousands of people. By determining when the Kings of Angkor m ....New light on Cambodia’s Dark Age (1350 - 1750). This project aims to conduct the first systematic archaeological investigations of Cambodian Middle Period capitals on the banks of the Mekong and Tonle Sap arterial rivers between 1350 and 1750. Whilst the decline of Angkor is one of the most significant events in the history of Southeast Asia, we do not have a precise date for the event that involved the relocation of many hundreds of thousands of people. By determining when the Kings of Angkor moved to the southern capitals we will clarify the end of Angkor, retrieve Cambodian history from a perceived Dark Age, and reveal critical linkages between the celebrated Angkorian past and modern and contemporary Cambodia.Read moreRead less
The Illustrated Literature of Papunya and Strelley, 1979-1998. Literature Production Centres at Papunya and Strelley (WA) published hundreds of illustrated books during the 1970s, 1980s and 1990s. They tell stories of the first contact, the Dreaming, bush plants, animals and life on pastoral stations, missions, government settlements and communities. This project will trace the histories of two key centres and the communities in which they were and are embedded, their authors and illustrators, t ....The Illustrated Literature of Papunya and Strelley, 1979-1998. Literature Production Centres at Papunya and Strelley (WA) published hundreds of illustrated books during the 1970s, 1980s and 1990s. They tell stories of the first contact, the Dreaming, bush plants, animals and life on pastoral stations, missions, government settlements and communities. This project will trace the histories of two key centres and the communities in which they were and are embedded, their authors and illustrators, to build a dynamic picture of Indigenous Australia that contributes another dimension to the history of art and literature in Australia. It will produce scholarly papers, a monograph and an exhibition that brings this story to the Australian public.Read moreRead less
The Ateliers of Angkor: sculpture workshops of an empire (Cambodia, 9th to 13th centuries CE). Australia is dedicated to building the capacity of developing countries to look after their World Heritage sites. The collaboration of Australian, Cambodian and international researchers will expand these relationships and help to preserve Angkor's World Heritage value by revealing the work-sites where the world-famous sculptures were created.
Immortal Egypt: cultural tradition and transition during the first intermediate period at Meir. The project will gain new knowledge about the development of ancient Egyptian culture by examining well-preserved tombs dating from the Old through to the Middle Kingdom periods at the cemetery of Meir and analysing the ways in which art, architecture, and socio-religious institutions at the site were maintained or altered over a span of 900 years.