Orientalism of the Mediterranean shore: art and place from Tunis to Marseille. This project focuses on new ways of thinking about how art links North Africa and Europe. Researching the images of Tunis, Algiers, Granada and Marseille in painting and photography (between 1880-1950) will lead to high-level outputs; beginning with a 2014 exhibition on Wassily Kandinsky and Gabriele Münter as Orientalists.
Digitising art projects archive. This project aims to theorise and document the creation of a permanent record of the development of public art in Australia through the digitisation of the Kaldor Public Art Projects (KPAP) archive. Digitising the archive will advance knowledge in social history and art history, and cement the cultural legacy of the KPAP archive. The project will make the KPAP archive an online resource widely available to researchers and the public. Over five decades KPAP, the f ....Digitising art projects archive. This project aims to theorise and document the creation of a permanent record of the development of public art in Australia through the digitisation of the Kaldor Public Art Projects (KPAP) archive. Digitising the archive will advance knowledge in social history and art history, and cement the cultural legacy of the KPAP archive. The project will make the KPAP archive an online resource widely available to researchers and the public. Over five decades KPAP, the first organisation of its type in the world which has attracted strong public interest, has created innovative, ground-breaking public art projects that, although temporary, have left a cultural permanence in the Australian art landscape. Read moreRead less
Discovery Early Career Researcher Award - Grant ID: DE150100756
Funder
Australian Research Council
Funding Amount
$371,034.00
Summary
New light on Cambodia’s Dark Age (1350 - 1750). This project aims to conduct the first systematic archaeological investigations of Cambodian Middle Period capitals on the banks of the Mekong and Tonle Sap arterial rivers between 1350 and 1750. Whilst the decline of Angkor is one of the most significant events in the history of Southeast Asia, we do not have a precise date for the event that involved the relocation of many hundreds of thousands of people. By determining when the Kings of Angkor m ....New light on Cambodia’s Dark Age (1350 - 1750). This project aims to conduct the first systematic archaeological investigations of Cambodian Middle Period capitals on the banks of the Mekong and Tonle Sap arterial rivers between 1350 and 1750. Whilst the decline of Angkor is one of the most significant events in the history of Southeast Asia, we do not have a precise date for the event that involved the relocation of many hundreds of thousands of people. By determining when the Kings of Angkor moved to the southern capitals we will clarify the end of Angkor, retrieve Cambodian history from a perceived Dark Age, and reveal critical linkages between the celebrated Angkorian past and modern and contemporary Cambodia.Read moreRead less
The Ateliers of Angkor: sculpture workshops of an empire (Cambodia, 9th to 13th centuries CE). Australia is dedicated to building the capacity of developing countries to look after their World Heritage sites. The collaboration of Australian, Cambodian and international researchers will expand these relationships and help to preserve Angkor's World Heritage value by revealing the work-sites where the world-famous sculptures were created.
Immortal Egypt: cultural tradition and transition during the first intermediate period at Meir. The project will gain new knowledge about the development of ancient Egyptian culture by examining well-preserved tombs dating from the Old through to the Middle Kingdom periods at the cemetery of Meir and analysing the ways in which art, architecture, and socio-religious institutions at the site were maintained or altered over a span of 900 years.
Measuring meaning in Egyptian art: A new approach to an intractable problem. This project aims to produce new insights into the meaning of Eqyptian tomb art. Tomb paintings are a primary source of information about ancient Egyptian life, but what was the original purpose of this art? Previous hypotheses have proposed a range of personal, social or religious functions, but the question remains unresolved. The project aims to break through this impasse by testing the validity of the most comprehen ....Measuring meaning in Egyptian art: A new approach to an intractable problem. This project aims to produce new insights into the meaning of Eqyptian tomb art. Tomb paintings are a primary source of information about ancient Egyptian life, but what was the original purpose of this art? Previous hypotheses have proposed a range of personal, social or religious functions, but the question remains unresolved. The project aims to break through this impasse by testing the validity of the most comprehensive theory to date via an innovative visual and statistical analysis of wall paintings at the Middle Kingdom site of Beni Hassan. The results are expected to bring greater clarity to our understanding of Egyptian art, and so allow an objective evaluation of its use as a historical document.Read moreRead less
Forgotten Empire: the Art and Culture of the Elamite Civilization (ca. 4000-525 BCE). The Elamite civilisation (circa. 4000 to 525 BCE) formed a remarkably rich but almost unexplored background to later Persian imperialism. This ancient Iranian culture, whose importance has never been recognised, is characterised by a remarkable longevity and an outstanding combination of highland and lowland artistic and cultural traditions. The aim of this project is to articulate the history of the art and cu ....Forgotten Empire: the Art and Culture of the Elamite Civilization (ca. 4000-525 BCE). The Elamite civilisation (circa. 4000 to 525 BCE) formed a remarkably rich but almost unexplored background to later Persian imperialism. This ancient Iranian culture, whose importance has never been recognised, is characterised by a remarkable longevity and an outstanding combination of highland and lowland artistic and cultural traditions. The aim of this project is to articulate the history of the art and culture of the Elamite civilisation for the first time based on analysis, interpretation and publication of its archaeological and artistic record.Read moreRead less
Linkage Infrastructure, Equipment And Facilities - Grant ID: LE140100120
Funder
Australian Research Council
Funding Amount
$190,000.00
Summary
Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researc ....Design & Art Australia Online Research Tool: enabling next generation e-Research in Australia's visual and design cultures. Design and art Australia online research tool: enabling next generation e-Research in Australia's visual and design cultures: This project builds on the recent and highly successful transformation of Design and Art Australia Online (DAAO). As DAAO increases its information base through its automated harvest facilities (LIEF2012) and draws more active engagement from researchers, new demands are being placed on the facility. Modifications are required to enhance the capabilities of researchers to expand the scope of research facilities offered. This project will refine schema and mappings of events and works to better match researcher queries and enabling data repurposing for visualisation; automate linking facility between established entity links; and develop researcher collaboration functionalities.Read moreRead less
Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in ....Shaping Indonesian Contemporary Art: the role of institutions. Southeast Asia is a new international focus of the art world. In the absence of the kinds of public grants programs and arts institutions that support contemporary art in the West, what are the major structures within Indonesia that shape the choices of artists, support their work economically, and determine what is presented to the world as “contemporary Indonesian art”? By examining the roles of major art teaching institutions (in Bandung, Yogyakarta and Jakarta); art criticism and its vehicles; exhibitions; museums and private collections; art auctions; and artists' collectives, this project looks at Indonesian art as the product of tension between commodity forms and the creative desires of artists to participate in global contemporary art.Read moreRead less
World-pictures: Path-finding across a century of wars, 1917-2017. This project aims to redefine war art in artistic and scholarly research. Public understandings of war are significantly shaped by war art and images of war. This project will investigate the artistic potential of scholars’ methodologies –timelines and the atlas form – to revise the Australian understanding of the century-long and global aftermath of war from WW1 into the present, in major exhibitions of new art. The project will ....World-pictures: Path-finding across a century of wars, 1917-2017. This project aims to redefine war art in artistic and scholarly research. Public understandings of war are significantly shaped by war art and images of war. This project will investigate the artistic potential of scholars’ methodologies –timelines and the atlas form – to revise the Australian understanding of the century-long and global aftermath of war from WW1 into the present, in major exhibitions of new art. The project will to investigate how international 21st century artists explored recent wars and will produce a systematic, art historical account of international 21st century war art. The project aims to provide a better understanding of Australia’s heritage and of war art.Read moreRead less