ORCID Profile
0000-0003-4978-6633
Current Organisations
University of Technology Sydney
,
University of South Australia
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Publisher: Informa UK Limited
Date: 16-08-2017
Publisher: Informa UK Limited
Date: 08-2012
Publisher: Informa UK Limited
Date: 15-07-2016
Publisher: Peter Lang US
Date: 30-03-2016
Publisher: Routledge
Date: 14-08-2027
Publisher: SAGE Publications
Date: 08-08-2022
Abstract: There are three traditional categories of empathy – emotional, cognitive and compassionate or radical. For decades, empathy was seen as the antithesis of any kind of good journalism that the journalist must at all times maintain detachment in order to do her job. But this paper interrogates, through the textual analysis of two Australian long form texts, including several epitextual artefacts, how empathy can perform as an evocative tool of narrative literary journalism creating richer and deeper meaning and depth of understanding. Both texts are hybrids of the form, mixing narrative inquiry, reportage and personal reflective practice. Here I argue that the first text conflates emotional and compassionate empathy, while the second privileges cognitive and radical empathy, ultimately and startlingly advocating compassionate empathy. Both provide for their audience an intimate glimpse into the private lives of others affected by trauma or occupying a particular place in cyberspace.
Publisher: Informa UK Limited
Date: 02-2010
Publisher: Informa UK Limited
Date: 14-06-2014
Publisher: Springer International Publishing
Date: 2022
Publisher: Australasian Association of Writing Programs
Date: 30-10-2021
DOI: 10.52086/001C.30986
Abstract: The WoW Project – Words on Wheels Words on Water – is a public transport poetry venture in development, seeking to bring poetry to Sydneysiders (and then others) commuting to work – on buses, light rail, trains, and ferries. The project attributes its genesis to two major public transport schemes in London and New York, where established and legacy poetry is displayed on posters throughout each city’s public transport system. Locally, while upholding established and legacy poets, the project seeks to support new and emerging poets. Additionally, and importantly, the poetry in this project is interested in igniting social justice, equity, and advocacy issues – poetry to start a conversation. ‘The Moving Poet’ is the pilot product of The WoW Project, a collaboration between University of Technology Sydney (UTS) Creative Writing staff (former and current) and UTS undergraduate Visual Communication students. Throughout one semester in 2020, Creative Writing staff became clients of the students’ simulated design company Salt Studio, collaborating at the intersection of text, image, and place. Staff stepped into a space unknown to them as the students designed 20 posters, thematically and conceptually framed, of poetry by eight Australian poets developed social media interfaces and produced teaser videos of the concept for pitching to potential funders and supporters. The collective goal, underpinning both practice and pedagogy, is to use these artefacts to provoke conversation about social injustice in a bid to incite discussion, particularly in an Australian context to surprise commuters by ‘scattering’ poems in public places and to generate further interactions from these poems through social media and digital responses. Drawing on both the field of creative writing and its place within a design education context, this article traces the project from its inception, including its positioning within similar projects internationally, to writing and design collaboration, to its final stage of presentation of deliverables. It outlines the project’s next steps, namely engaging with industry and community partners for full execution.
Publisher: Routledge
Date: 16-10-2017
Publisher: Informa UK Limited
Date: 23-01-2019
Publisher: Informa UK Limited
Date: 18-11-2020
Publisher: Informa UK Limited
Date: 02-2011
Publisher: Informa UK Limited
Date: 07-2015
No related grants have been discovered for Sue Joseph.