ORCID Profile
0000-0002-4928-6068
Current Organisations
University of South Australia
,
King's College London
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Publisher: Emerald
Date: 22-02-2022
Abstract: In-person film festival experiences have faced uncertain futures since the spread of COVID-19. Snap-lockdowns, unclear and rapidly changing rules to public density allowances in theatres, distribution and challenges of “working-from-home” have become prominent issues to creative and cultural workers employed within the film festival ecosystem. The purpose of this paper, drawing from a series of interviews with film festival directors, organisers and workers within Australia, offers insight into the working lives of those employed within the film festival sector during 2020. Using the research team's existing professional networks and a targeted approach of participant recruitment, this paper draws upon interview data from 5 semi-structured interviews with participants located in various Australian capital cities, who were working in the film festival sector during 2020. Participants were all mid-career, having at least 5 years of employment experience within the film festival ecosystem (directors, programmers and content creators) as well as having experience in other adjacent cultural and creative work. The results in this study highlight common concerns of the legacy precarity has on professional and creative practice for those engaged in creative and cultural work, but also of unusual and unexpected opportunities for creativity and new film festival delivery beyond the dominant mode of in-theatre only experience pre-COVID-19. The originality of this study lies in its qualitative exploration of the various employment experiences of Australian film festival workers during COVID-19.
Publisher: SAGE Publications
Date: 06-07-2020
Abstract: Film festival research is an important field within screen and cultural studies, with festivals mainly theorised as a cinephile phenomenon occurring in European/North American contexts. Though cinephilia is indeed a major aspect of film festivals, adopting cinephilia as a primary focus for festival research obscures, and cannot explain, other motivations for running festivals, as well as how festivals fit into other trends in the film industry and film culture today. As researchers and film critics working in Australia, we have observed trends in festival culture that do not fit the dominant cinephilic framework. Principal among these trends is the emergence of Palace Cinemas, an arthouse cinema chain, and Palace Films, its distribution arm, as the curator and presenter of its own chain of film festivals. This essay presents an interesting case study that considers Palace Cinemas in relation to dominant understandings of the film festival. These film festivals do not exclusively fit either of Mark Peranson’s ideal models of festivals – audiences festivals or business festivals – but rather between these two positions. These distributor-driven film festivals, such as those run by Palace, greatly diminish any association with festival time, defined by Janet Harbord as a key feature of festivals.
Publisher: SAGE Publications, Inc.
Date: 2020
Publisher: Informa UK Limited
Date: 02-09-2019
Publisher: SAGE Publications
Date: 15-12-2017
Abstract: Lake sediments constitute natural archives of past environmental changes. Historically, research has focused mainly on generating regional climate records, but records of human impacts caused by land use and exploitation of freshwater resources are now attracting scientific and management interests. Long-term environmental records are useful to establish ecosystem reference conditions, enabling comparisons with current environments and potentially allowing future trajectories to be more tightly constrained. Here we review the timing and onset of human disturbance in and around inland water ecosystems as revealed through sedimentary archives from around the world. Palaeolimnology provides access to a wealth of information reflecting early human activities and their corresponding aquatic ecological shifts. First human impacts on aquatic systems and their watersheds are highly variable in time and space. Landscape disturbance often constitutes the first anthropogenic signal in palaeolimnological records. While the effects of humans at the landscape level are relatively easily demonstrated, the earliest signals of human-induced changes in the structure and functioning of aquatic ecosystems need very careful investigation using multiple proxies. Additional studies will improve our understanding of linkages between human settlements, their exploitation of land and water resources, and the downstream effects on continental waters.
Publisher: Wiley
Date: 25-04-2018
DOI: 10.1002/ESP.4375
Publisher: Informa UK Limited
Date: 02-01-2016
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
Location: United Kingdom of Great Britain and Northern Ireland
No related grants have been discovered for Daniel Schillereff.