ORCID Profile
0000-0001-7867-5014
Current Organisation
Deakin University
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Publisher: Project MUSE
Date: 2019
Publisher: Project MUSE
Date: 2011
DOI: 10.1353/CJ.2011.0026
Publisher: Bloomsbury Publishing Plc
Date: 2018
Publisher: SAGE Publications
Date: 05-2018
Publisher: University College Cork
Date: 20-12-2022
DOI: 10.33178/ALPHA.24.12
Abstract: Developing Heide Schlüpmann’s 2013 article, “An Alliance Between History and Theory”, we argue that the home provides the historic and theoretic foundation for cinema’s sense of perceptual play, and that it is also a contemporary and productive site for feminist filmmaking. Using our reflections as educators who experienced distance teaching during the Covid-19 lockdown in Melbourne, we explore how working from and within the home unexpectedly revealed new pathways to feminist pedagogy and progress. We reflect on how the home became a site of creative play, where women were forced to make movies with what they had at hand. The mobile phone or prosumer camera became, in this context, a device to be technologically exploited and used in film production. Linking this to wider developments in smartphone use in filmmaking today, we argue that 2020 was a year in which the home was not necessarily a site of entrapment.
Publisher: Leuven University Press
Date: 31-03-2021
Abstract: The idea that women are dangerous – in idually or collectively – runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of erse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today’s female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South.
Publisher: Project MUSE
Date: 2018
Publisher: Oxford University Press (OUP)
Date: 03-2009
Publisher: University of California Press
Date: 17-05-2023
DOI: 10.1525/LUMINOS.157
Publisher: University of California Press
Date: 2016
Publisher: Rutgers University Press
Date: 31-12-2019
Publisher: Informa UK Limited
Date: 03-07-2017
Publisher: University of California Press
Date: 2016
Publisher: University of Illinois Press
Date: 20-04-2017
Publisher: Informa UK Limited
Date: 02-01-2014
Publisher: University of California Press
Date: 2016
Publisher: University of California Press
Date: 2016
Publisher: University of California Press
Date: 2016
Publisher: Edinburgh University Press
Date: 02-2018
DOI: 10.3366/EDINBURGH/9781474417037.001.0001
Abstract: This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force. This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshirô Mifune, and Choi Min Sik, amongst many others.
Publisher: Project MUSE
Date: 10-10-2019
DOI: 10.26597/MOD.0129
Publisher: University of California Press
Date: 2016
Publisher: Manchester University Press
Date: 03-2016
Publisher: Project MUSE
Date: 2016
DOI: 10.1353/TJ.2016.0129
Location: Italy
Location: United States of America
Location: United Kingdom of Great Britain and Northern Ireland
Start Date: 2015
End Date: 2023
Funder: Australian Academy of the Humanities
View Funded ActivityStart Date: 2017
End Date: 2017
Funder: Harry Ransom Center, University of Texas, Austin
View Funded Activity